Notre Dame: Entr'acte and Carnival Music Cover Image

Notre Dame: Entr'acte and Carnival Music: Conductor Score

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Notre Dame: Entr'acte and Carnival Music Cover Image

Notre Dame: Entr'acte and Carnival Music: Conductor Score

By Franz Schmidt / arr. Clinton F. Nieweg

Item: 36-A891901

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Description
Notre Dame by Franz Schmidt (1874-1939) is a romantic opera, with libretto written by both the composer himself and Leopold Wilk, a professional chemist and amateur poet. Based loosely on the 1831 Victor Hugo novel The Hunchback of Notre-Dame, the opera was premiered in Vienna in 1914. Best known for its Intermezzo and Carnival Music (which were written before the opera and later incorporated), Notre Dame was popular until the early 1920s before it faded from public performance. It has since been revived in Vienna and Dresden. Instrumentation: 2+Picc(dFl).2.2.2+CBsn: 4.3.3.0: Timp.Perc(2): Hp(2): Str (9-8-7-6-5 in set).

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887700-9
ISBN13: 978-1-63-887700-4
UPC: 660355029738
SKU: 36-A891901
Instrumentation: 3d1, 2, 2, 2+1 - 4, 3, 3, 0, timp, perc, 2 hp, str

More about this title

Why we love this

This conductor score grants access to two of Schmidt's most enduring orchestral excerpts, works that earned their place in the repertoire on sheer melodic invention and orchestral color. The Carnival Music crackles with theatrical energy while the Entr'acte offers a contrasting moment of lyrical warmth, making this pairing ideal for concert programming that needs both drama and repose.

What to expect

Lush, theatrical, and deeply rooted in Viennese romanticism, these excerpts shimmer with orchestral color and sweeping melodic lines. The Entr'acte brings introspection and warmth, while the Carnival Music dances with infectious rhythmic vitality and folk-song character.

Who it's for

Conductors leading chamber orchestras or smaller symphonic ensembles who want to program late-romantic repertoire with genuine theatrical flair. This score works equally well for university orchestras seeking accessible post-romantic works and professional chamber ensembles exploring the Viennese tradition beyond the usual canon.

How to get the most out of it

  • Balance the two harps carefully in passages where they carry harmonic support; their blend should enhance rather than dominate the string texture.
  • Shape the Carnival Music's folk-inflected themes with slight rhythmic flexibility to capture the festive, improvised quality the music evokes.
  • Use the timpani and percussion strategically to punctuate climactic moments without overwhelming the romantic harmonic language underneath.

How to use it

Pair the Entr'acte with other late-romantic works emphasizing string writing, or build a concert around Viennese opera and operetta traditions where the Carnival Music's festive character will shine. Alternatively, program the Entr'acte as a bridge between heavier works, offering the audience a moment of lyricism without demanding musical sophistication to appreciate.

Skills your students will build

  • Conducting post-romantic opera excerpts with attention to melodic phrasing across the orchestra
  • Balancing multiple harp parts with strings in dense harmonic textures
  • Managing folk-inflected rhythms and rhythmic flexibility in stylistically appropriate ways
  • Coordinating percussion and timpani as color and punctuation rather than timekeeping
  • Shaping contrasting musical moods within a single program context

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