Nothing's Gonna Stop Us Now (arr. Kirby Shaw): SATB Choral Octavo

Kirby Shaw's arrangement captures the infectious energy and singability of this 1987 hit without relying on electronic production or synthesizers to carry the piece. The four-part writing gives every voice something memorable to sing, and the progression from verse to final chorus builds momentum organically, making it rewarding for both developing and advanced ensembles.

Optimistic and propulsive. The piece radiates the kind of unshakeable determination promised by its title, built on a foundation of bright harmonies and steady forward momentum. It's the musical equivalent of a fist pump in unison.

Choirs with intermediate to advanced reading skills who want to connect with their singers through contemporary music. This arrangement works equally well for high school show choirs, college a cappella groups, and community choruses looking to program something with audience recognition.

• Emphasize the rhythmic precision in the rhythm section parts, particularly the bass line, to anchor the groove that gives this arrangement its drive.
• Shape the melody with forward motion through each phrase rather than treating the lyrical moments as balladic. This is a rock song, and the phrasing should reflect that energy.
• Layer dynamics carefully as the arrangement builds. Restrain the upper voices in the verse so the final chorus has genuine impact when the full sound emerges.
• Lock the sopranos and tenors on the hook melody early in rehearsal. Once that sits securely, the harmony parts settle more quickly.

Pair this with other pop or rock arrangements to create a contemporary-music segment in a mixed concert, or use it as a show choir feature where visual staging can amplify the song's motivational message. It also works as a strong closer for a program that needs energy and audience connection.

• Singing driven by rhythmic precision rather than breath phrases
• Balancing block harmony with independent melodic lines
• Maintaining forward momentum through repeated sections
• Communicating character and intent in contemporary music idioms