Nothing Can Separate Us: Choral Instrumental Pak
By Mark Hayes
Item: 35-PK00147541
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About the Composer: Mark Hayes

Mark Hayes brings nearly five decades of compositional and conducting experience to the concert and sacred music worlds. A Baylor University graduate with over 1,750 published works to his name, Hayes has established himself as a master orchestrator and pianist, with performances and premieres spanning Lincoln Center, the National Cathedral, Carnegie Hall, and St. Ignatius Basilica in Rome. His range extends far beyond choral music; he has scored theatrical productions, arranged Broadway standards, and built an extensive catalog of piano works across jazz, gospel, and classical idioms.
Recognized by Baylor's Center for Christian Music Studies for his leadership in the field, Hayes has conducted world premieres of major works including his Requiem and has been commissioned by institutions globally, from prep schools in Hong Kong to professional choral ensembles across North America. Whether composing or conducting, his mission remains grounded in creating music of genuine beauty and substance.
Why we love this
Hayes delivers the orchestral scope and harmonic sophistication you expect from him while keeping the choral writing singable and the festival structure immediately engaging. The commissioned recording by the Gary Bonner Singers proves the piece works brilliantly in practice, not just on paper, and that rare combination of accessibility and musical substance makes it a natural centerpiece for a significant concert.
What to expect
Joyful and affirming without sacrificing musical depth. Hayes constructs a festival atmosphere through orchestral color and harmonic movement while the choir carries a message of constancy and faith, creating tension between exuberance and introspection that resolves into something genuinely uplifting.
Who it's for
Choirs with reliable orchestral support and an audience ready for a substantial, emotionally substantive work. The piece suits concert venues, festival competitions, and liturgical contexts where the combination of sacred text and celebratory music fits naturally into the program.
How to get the most out of it
- Balance the choir against the orchestra by checking sight lines during early rehearsals; Hayes writes orchestral passages that should breathe independently from the voices, not smother them.
- Let the recorded accompaniment guide your opening tempo and harmonic language in the first read-through, then develop your own interpretation once the choir has internalized the material.
- Emphasize clarity of text in the festival sections; the sacred content carries more weight when diction remains crisp even at faster passagework.
How to use it
This works as a concert finale or as the featured choral work on a program mixing sacred and secular pieces. The six-minute duration gives it weight without consuming your entire rehearsal budget, making it ideal for a spring festival concert or a competition performance where you want the final impression to linger.
Skills your students will build
- Blending with orchestral accompaniment while maintaining independence as a vocal section
- Navigating Hayes's harmonic language and chromaticism
- Sustaining emotional authenticity within a celebratory musical framework
- Part confidence in a work with fuller orchestration than typical choral fare