Nothin' Gonna Stumble My Feet Sheet Music Preview

Nothin' Gonna Stumble My Feet: SATB Choral Octavo

By Greg Gilpin

Item: 35-DS00457997

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00457997

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings decades of choral expertise to every score he writes. An ASCAP-awarded composer and conductor, he has led performances at Carnegie Hall, Lincoln Center, and Ryman Auditorium, with international credits spanning the Sydney Opera House, Royal Festival Hall in London, and concert halls across Iceland. As Director of Educational Choral Publications for Shawnee Press, Gilpin shapes repertoire that works in real rehearsal rooms.

Beyond the podium, Gilpin has scored the award-winning short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a fresh arrangement of "What Child is This?" premiered by the Indianapolis Symphonic Choir. A member of ACDA, NAfME, and a Life Loyal Member of Phi Mu Alpha Sinfonia, he remains deeply invested in the choral art form and its educators.

Why we love this

Gilpin knows how to write text that singers want to sing and audiences want to hear. The song's rhythmic energy and accessible vocal lines make it rewarding in rehearsal without sacrificing musical substance, and the a cappella setting means you can program it anywhere without worrying about accompaniment logistics.

What to expect

The piece radiates confidence and forward momentum. There is no apology in the title or the music; it captures the spirit of persistence and determination with rhythmic vitality and vocal lines that feel natural to sing.

Who it's for

This octavo works for choirs at the intermediate level and above who want contemporary repertoire with personality. Singers enjoy the song's optimistic message, and the a cappella format makes it a smart choice for festivals, concerts, or community performances where flexibility matters.

How to get the most out of it

  • Keep the rhythm section (those carrying the main pulse) locked and confident; they give the soloists and harmonic material something solid to lean on.
  • Balance the SATB voices so the text stays clear even when all four parts are moving independently.
  • Lean into the rhythmic character. The piece thrives when singers commit to the groove rather than backing away from it.

How to use it

Slot this into a concert where you need an uplifting secular work that bridges the gap between classical and contemporary tastes. The title itself becomes part of the programming message, making it effective as a closer or anchor piece when you want the audience to leave energized.

Skills your students will build

  • Singing rhythmic lines with conviction and accuracy
  • Maintaining independent vocal lines while blending within SATB texture
  • Shaping text for clarity and emotional impact in a cappella settings
  • Building ensemble cohesion without instrumental support

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