Notes in the Silence Cover Image

Notes in the Silence: Choral Works (inc. Oratorios)

$3.25 USD
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Notes in the Silence Cover Image

Notes in the Silence: Choral Works (inc. Oratorios)

for 4-Part Mixed Choir and Piano

By Leslie Bassett

Item: 98-EP66573

$3.25
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-30-072428-4
ISBN13: 979-0-3007-2428-7
SKU: 98-EP66573

More about this title

About the Composer: Leslie Bassett

Leslie Bassett (1923-2020) was an American composer whose career spanned more than six decades and earned him recognition as one of the most significant figures in contemporary classical music. His output included symphonies, chamber works, and substantial choral compositions, many of which explored complex harmonic language and rigorous formal structures. Bassett held teaching positions at the University of Michigan for much of his career and received numerous commissions and awards, including a Pulitzer Prize for Music in 1966.

Bassett's choral writing combines modernist compositional techniques with deep respect for the human voice. His oratorios and extended choral works demand singers who are comfortable with chromatic writing, wide intervallic leaps, and intricate rhythmic relationships, making his choral music a vital part of the repertoire for ensembles seeking to expand their contemporary music literacy.

Why we love this

Bassett's choral writing sits at the intersection of accessibility and artistic rigor. These works reward singers who engage seriously with contemporary harmonic language, and they sound far more approachable in rehearsal than the score initially suggests. Programming his choral music signals to your ensemble and audience alike that you're committed to keeping contemporary composition alive.

What to expect

These works inhabit a modernist soundworld marked by angular melody, chromatic harmony, and carefully calibrated texture. Despite the complexity, there is clarity in Bassett's writing and a genuine lyricism that emerges from disciplined compositional technique. The silence referenced in the title speaks to the breathing spaces and structural pauses that frame his musical arguments.

Who it's for

This collection belongs in the libraries of collegiate and advanced high school choirs with strong sight-reading skills and a commitment to contemporary repertoire. Singers should have experience with twentieth-century harmonic language and the rhythmic flexibility to navigate Bassett's sophisticated structures.

How to get the most out of it

  • Spend rehearsal time on pitch mapping before addressing text. Mark enharmonic spellings and chromatic voice leading so singers understand the harmonic logic beneath the complexity.
  • Shape phrases by harmonic function rather than textual breath points. Bassett's harmonic rhythm often moves faster than lyrical phrasing, and aligning singers to the underlying structure creates coherence.
  • Bring out inner voices with care during full sections. Much of Bassett's texture builds from layered instrumental-style writing, and secondary melodic material will clarify the compositional architecture.
  • Record rehearsals and listen back as a section. Hearing yourself in context helps singers adjust intonation and blend in music where traditional tonal anchors may be absent.

How to use it

Consider these pieces as anchors for a contemporary choral concert or as standalone offerings in a season devoted to American composers. Pairing Bassett's work with twentieth-century instrumental music by the same composer creates programmatic coherence and allows audiences to trace his evolving voice across genres.

Skills your students will build

  • Reading chromatic voice leading and enharmonic spellings
  • Intonating in non-traditional harmonic contexts
  • Understanding modernist formal structures in choral writing
  • Balancing complex rhythmic relationships across voice parts
  • Navigating wide intervallic leaps with tonal security

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