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Northern Lights: Full Scores

$102.00 USD
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Northern Lights: Full Scores

Concerto for Accordion and Chamber Orchestra

By Jonathan Dove

Item: 98-EP73298

$102.00
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Description

Northern Lights by Jonathan Dove is a 23-minute concerto for accordion and chamber orchestra. Written for the soloist Owen Murray, the work showcases the classical side of the instrument, rather than its folk aspect with wide melodic range and polyphonic possibilities. Owen Murray approached Jonathan Dove for the commission following the death of the composer Peter Maxwell Davies, who was originally going to write Owen a work. Peter Maxwell Davies spent much of his life in Orkney (Scotland) where you can see the Northern Lights. Towards the end of the concerto, a familiar tune is carried on the night air: Farewell to Stromness, by Sir Peter Maxwell Davies, to whose memory the concerto is dedicated.

Northern Lights was commissioned by the Scottish Chamber Orchestra with generous support from Mr Roland Williams, PRS for Music Foundation and the Royal Academy of Music, and was premiered by Owen Murray and the Scottish Chamber Orchestra conducted by Clemens Schuldt at The Queen's Hall, Edinburgh on 2 May 2019.

The full score (EP 73298) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. The solo part and a piano reduction for rehearsal (EP 73298a) can be purchased separately.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 66
ISBN10: 0-57-701688-1
ISBN13: 979-0-57-701688-7
SKU: 98-EP73298

More about this title

About the Composer: Jonathan Dove

Jonathan Dove is a British composer whose work spans opera, orchestral music, and chamber works, often marked by accessible lyricism and clear structural thinking. His compositions are performed regularly by major orchestras and ensembles worldwide, and his gift for writing idiomatically for each instrument has made his work a fixture in contemporary concert programming.

Why we love this

Dove writes for the accordion as a concert instrument of genuine substance, demanding virtuosity while remaining deeply musical rather than showily experimental. The score's 23-minute arc and chamber orchestra setting create an ideal context for exploring contemporary concerto form with a soloist and ensemble that must listen acutely to one another. The tribute to Peter Maxwell Davies through the quotation of Farewell to Stromness adds emotional weight that audiences recognize immediately, making this a work with genuine narrative resonance.

What to expect

Northern Lights unfolds with clarity and directness despite its contemporary idiom, moving from expansive melodic utterance to moments of genuine reflection. The work's structure honors concerto tradition while embracing the accordion's capacity for both lyrical singing and intricate counterpoint, building toward a moment of remembrance that carries both musicality and personal meaning.

Who it's for

Conductors of contemporary chamber orchestras and orchestral programs seeking a substantial 23-minute concerto that showcases the accordion as a classical instrument rather than a folk one. This is an essential score for ensembles commissioning work or programming concert seasons that include accordion soloists of professional caliber.

How to get the most out of it

  • Balance the accordion's melodic line against the chamber orchestra by rehearsing sections separately first; the soloist's wide range and polyphonic possibilities can easily blur orchestral detail if ensemble members aren't attuned to their accompanying role.
  • Pay particular attention to the harmonic shifts that frame the Maxwell Davies quotation near the work's conclusion, as this moment requires the orchestra to support a tonal shift while maintaining the concerto's contemporary musical language.
  • Use the full score to map the work's structural arch across its three movements, identifying where the soloist functions as equal partner to the ensemble versus moments of true solo display.
  • Rehearse the opening carefully to establish the accordion's voice against the string textures; Dove's writing here sets the tone for the soloist's characterization throughout.

How to use it

This 23-minute concerto anchors a concert featuring contemporary British orchestral music or serves as the centerpiece of a program devoted to accordion as a classical instrument. The work's memorial dedication and closing quotation make it particularly suitable for concert programs honoring composers or for seasons exploring Scottish cultural connections in contemporary classical music.

Skills your students will build

  • Balance and transparency in chamber orchestra writing with a non-traditional solo instrument
  • Recognition and performance of contemporary harmonic language within a concerto structure
  • Interpretive choices around quotation and thematic reference in modern compositions
  • Ensemble coordination between soloist and orchestral sections across extended instrumental ranges

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