Norma: Act II, Scene 1, Duet (2 sopranos): Deh! con te, Mira O Norma (E-Flat) (excerpt) Cover Image

Norma: Act II, Scene 1, Duet (2 sopranos): Deh! con te, Mira O Norma (E-Flat) (excerpt): Serious Opera, Full Orchestra Accompaniment Conductor Score

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Norma: Act II, Scene 1, Duet (2 sopranos): Deh! con te, Mira O Norma (E-Flat) (excerpt) Cover Image

Norma: Act II, Scene 1, Duet (2 sopranos): Deh! con te, Mira O Norma (E-Flat) (excerpt): Serious Opera, Full Orchestra Accompaniment Conductor Score

By Vincenzo Bellini

Item: 36-A902902

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Description
Norma is a two-act lyric tragedy by Vincenzo Bellini (1801-1835). A leading example of the bel canto genre, the opera premiered at La Scala in Milan on December 26th, 1831. The story tells of a love triangle between Norma, the High priestess of the druids, her Roman lover, and a younger priestess for whom the Roman has fallen. This excerpt occurs in the first scene of Act II. After rejecting killing her two sons with the Roman Pollione as a solution, she instead chooses to entrust her children to the young priestess Adalgisa and Pollione so that they may live in the duet, "Deh! con te, con te li prendi" / "Please, take them with you." Adalgisa agrees but tells Norma that she intends to persuade Pollione to return to the mother of his children in another duet, "Mira, o Norma" / "Look, o Norma." This excerpt is transposed from the original key of F to E flat. A score has not been created for the E flat version, so none is included, but the score in the key of F is available separately from the publisher as A419501. Instrumentation: 2.2.2.2: 4.2.3.1: Timp:Perc(1): Str (4-4-3-3-3 in set).

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 735816427146
SKU: 36-A902902
Instrumentation: Serious Opera, Orchestra Accompaniment

More about this title

About the Composer: Vincenzo Bellini

Vincenzo Bellini (1801-1835) was a Sicilian composer who became one of the defining voices of the bel canto tradition. Working primarily in opera, he crafted scores that prioritized the human voice above all else, writing long, soaring melodic lines that demanded both technical brilliance and emotional depth from singers.

Bellini's career, though brief, left an outsized mark on music history. His operas, including Norma, I Puritani, and La sonnambula, remain central to the soprano and mezzo-soprano repertoire. He understood orchestration with sophistication but never allowed the ensemble to overshadow the voice. For music educators, Bellini's work represents a masterclass in vocal writing and dramatic pacing.

Why we love this

This duet captures the emotional apex of Norma's internal crisis. The writing gives both sopranos room to shine individually and to blend in passages of stunning harmonic complexity, and it sits at a technical level that challenges serious singers without becoming unsingable. Programming this excerpt introduces your orchestra to the demands and rewards of accompanying opera: precise ensemble work, sensitive dynamic response to the voice, and the discipline required to serve the drama.

What to expect

Urgent, intimate, and achingly human. Beneath the elegant melodic lines runs a current of desperation as Norma pleads with Adalgisa to protect her children. The orchestration supports without intruding, creating a space where the two voices can confess their competing loyalties and affections. Even at concert performance, the emotional weight is immediate.

Who it's for

This score serves conductors working with advanced orchestras and professional or near-professional soprano and mezzo-soprano soloists. It demands secure ensemble playing, mature interpretation of bel canto style, and singers with substantial vocal stamina and range. This is repertoire for musicians ready to grapple with 19th-century operatic demands at a serious level.

How to get the most out of it

  • Conduct with clear phrase architecture rather than beat-by-beat precision. These soprano lines breathe and shape themselves; the orchestra supports their arc, not the reverse.
  • Establish the tempo from the singers in rehearsal, not from a metronome. Bellini's melodies will dictate natural rubato and rests that aren't always notated precisely.
  • Balance the string textures carefully. The accompaniment runs the risk of becoming murky if the inner voices aren't transparent; keep violas and cellos distinct without separating them.
  • Mark all tutti moments in advance so the orchestra knows when it recedes and when it swells. The shift between intimate duet writing and full-orchestra support happens suddenly.

How to use it

This excerpt works as a standalone feature in an opera-focused concert or as part of a program exploring bel canto repertoire alongside other excerpts or scenes. For orchestras with strong soprano and mezzo-soprano soloists but limited experience with opera, this duet makes a rewarding introduction to vocal repertoire and the musical values that defined the genre. Consider pairing it with instrumental works from the same period to show how orchestral writing evolved alongside operatic demands.

Skills your students will build

  • Bel canto style and phrasing conventions
  • Balancing accompaniment texture with exposed vocal writing
  • Coordinating with singers on rubato and breath points
  • Navigating rapid harmonic changes typical of early 19th-century Italian opera
  • Maintaining ensemble precision during extended lyrical passages

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