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Nocturne et Allegro Scherzando: Conductor Score & Parts

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Nocturne et Allegro Scherzando: Conductor Score & Parts

By Philippe Gaubert

Item: 36-M122791

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Description
The first of three compositions that famed French flute pedagogue Philippe Gaubert (1879-1941) wrote for the Paris Conservatoire's concours, Nocturne et Allegro Scherzando (1906) is in a single movement with two distinct sections. Written to showcase a student's ability to play both lyrically and technically, the Nocturne plays with mysterious impressionistic harmonies while the Allegro Scherzando contains more difficult technical passages. Reprint edition.

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Additional Details
Series: Master Woodwind Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852307-3
ISBN13: 979-8-88-852307-0
UPC: 660355061349
SKU: 36-M122791
Instrumentation: Flute and Piano

More about this title

About the Composer: Philippe Gaubert

Philippe Gaubert (1879-1941) was a legendary French flutist, composer, and conductor whose influence shaped flute pedagogy for generations. As a professor at the Paris Conservatoire and later as conductor of the Opéra-Comique, Gaubert understood intimately what student flutists needed to master: lyrical sensitivity, technical command, and musical maturity. His three conservatoire concours pieces, including this Nocturne et Allegro Scherzando, became benchmarks for advanced flute study.

Why we love this

Gaubert wrote this piece with real concours demands in mind, so it authentically balances the artistry and athleticism that distinguish advancing flutists. The single-movement structure gives the piece coherence while the two contrasting sections allow students to demonstrate both tonal control and passagework clarity in a single performance. If you're preparing a student for competition or recital, this is the kind of piece that separves both musical and technical growth.

What to expect

The Nocturne opens with an atmosphere of gentle mystery, its harmonies suggesting the impressionistic language Gaubert absorbed from his French contemporaries. When the Allegro Scherzando arrives, the piece transforms into something playful and virtuosic, full of whimsical rhythmic figures and cascading passages that sparkle across the flute's range.

Who it's for

This solo is designed for intermediate to advanced flutists preparing for competitions, auditions, or recitals where a single piece must demonstrate comprehensive musicianship. Conservatory students and serious pre-college flutists will find the work demands both the tonal finesse and technical agility required at higher levels of study.

How to get the most out of it

  • Establish the impressionistic harmony of the Nocturne section through subtle control of dynamics and air support; the mysterious quality depends on restraint rather than dramatic projection.
  • Approach the Allegro Scherzando with rhythmic precision and clarity in the technical passages; these rapid figures demand clean articulation and even finger work without sacrificing the scherzando character.
  • Use the piano part as a textural anchor throughout the transition between sections, allowing the accompanist to help define the harmonic landscape and support the shift in character.

How to use it

Position this as a centerpiece solo recital selection or competition entry for a student reaching the upper intermediate level; its structural completeness makes it satisfying as a standalone work. You might also program it on a faculty or student showcase concert to highlight a flutist's artistic range in a single, economical vehicle.

Skills your students will build

  • Sustained tone production and phrase shaping in impressionistic harmonic contexts
  • Rapid scalar and arpeggio articulation across the flute's range
  • Navigation of character contrasts within a single-movement form
  • Musical communication with a piano accompanist
  • Performance stamina and musical continuity across contrasting sections

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