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Nocturne and Allegro Scherzando: Flute Part(s)

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Nocturne and Allegro Scherzando Cover Image

Nocturne and Allegro Scherzando: Flute Part(s)

By Phillippe Gaubert

Item: 00-K07140

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Description
A Flute solo with Piano Accompaniment composed by Phillippe Gaubert.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Nocturne and Allegro Scherzando: Flute Part(s) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7579-0407-6
ISBN13: 978-0-7579-0407-3
UPC: 654979996651
SKU: 00-K07140

More about this title

About the Composer: Philippe Gaubert

Philippe Gaubert (1879-1941) was a French flutist, conductor, and composer who shaped the modern flute repertoire during a pivotal moment in wind music history. As a virtuoso performer and principal flutist of the Opéra-Comique in Paris, he understood the instrument's capabilities intimately and wrote for it with both technical authority and lyrical imagination. His compositions remain staples of flute recitals and competitions, bridging Romantic expression with early twentieth-century modernism.

Gaubert's works for flute established new standards for the instrument's solo literature. Beyond his performance career, he conducted major French orchestras and taught at the Paris Conservatoire, influencing generations of musicians through both his compositions and his pedagogy. His legacy rests on pieces that demand musicianship alongside technique, rewarding players who can balance virtuosity with genuine artistic sensitivity.

Why we love this

Gaubert crafted a piece that separates serious flutists from the rest of the field. The dramatic contrast between the lyrical nocturne and the brilliant allegro scherzando creates a natural arc that judges recognize and audiences remember, making it an intelligent choice for anyone preparing for a meaningful competition.

What to expect

The nocturne unfolds with the introspection and harmonic sophistication of late Romantic salon music, inviting the flutist into intimate conversation with the piano. The allegro scherzando then ignites with rhythmic playfulness and virtuosic flair, showcasing the flute's agility and brilliance while maintaining the melodic grace that defines Gaubert's voice.

Who it's for

Advanced high school flutists and college music majors preparing for competitions, auditions, or recitals. This work demands secure command of the instrument's full range, mature phrasing, and the ability to sustain lyrical playing at a professional level.

How to get the most out of it

  • Shape the nocturne's opening melody with subtle dynamic swells rather than constant pressure; let the phrasing breathe and reflect the introspective character of the form.
  • Approach the allegro scherzando's rapid passagework as musical speech, not mechanical exercise. Clarity comes from intentional articulation and phrase direction, not raw speed.
  • Balance technical display with the accompaniment's harmonic movement. Listen actively to the piano so ornamental figures enhance rather than overshadow the harmonic progression.
  • Mark structural shifts clearly through tempo and dynamic precision; the transition from slow to fast movement should feel inevitable, not abrupt.

How to use it

Pair this work with contrasting twentieth-century flute literature or alongside a classical-era sonata to demonstrate a soloist's range. Its competitive credentials and concert-hall appeal make it equally effective as a competition selection or as a centerpiece of a student recital that highlights serious artistic development.

Skills your students will build

  • Sustaining long melodic lines with consistent tone quality and breath control
  • Executing rapid sixteenth-note passagework with clarity and musical intention
  • Navigating harmonic changes across both slow and fast sections
  • Balancing solo line with piano accompaniment through active listening
  • Controlling dynamic range across the flute's full register

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