Nocturnal after John Dowland, Opus 70 Cover Image

Nocturnal after John Dowland, Opus 70: Guitar Book

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Nocturnal after John Dowland, Opus 70 Cover Image

Nocturnal after John Dowland, Opus 70: Guitar Book

By Benjamin Britten / ed. Julian Bream

Item: 12-0571500056

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Description
Britten's Nocturnal After John Dowland Op. 70 is a fantastically varied and intricate piece for Solo Guitar, which has been edited here by Julian Bream. This piece will present an enjoyable challenge to the advancing classical guitarist.

The first performance of Nocturnal was given by Julian Bream at the Aldburgh Festival June 12th 1964. The song upon which the work is based is No. 20 in The First Book of Songs or Ayres of Four Parts by John Dowland, published in 1597.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50005-6
ISBN13: 978-0-571-50005-5
UPC: 9780571500055
SKU: 12-0571500056

More about this title

About the Composer: Benjamin Britten

Benjamin Britten (1913-1976) was a British composer whose gift for writing idiomatically across instruments shaped twentieth-century music. His output spans operas, vocal music, orchestral works, and chamber pieces, all marked by melodic clarity and structural sophistication. Britten had a particular genius for writing for young musicians and for specific performers; his collaborations with guitarist Julian Bream produced some of the finest modern works in the classical guitar repertoire.

Why we love this

Britten's imaginative dialogue with Dowland's Renaissance melody creates a piece that respects its source while building something entirely modern. The writing sits comfortably under the hands for advancing players yet never condescends; the varied textures and harmonic language keep both performer and audience engaged throughout. Programming this demonstrates your students' command of twentieth-century guitar literature and their ability to sustain focus through a substantial, single-composer work.

What to expect

Nocturnal unfolds like a meditation on memory. Britten begins with Dowland's melody intact, then gradually fragments and reimagines it through increasingly intricate variations, creating a sense of turning a familiar object over in your hands, discovering new angles each time. By the final section, you're simultaneously playing the original song and hearing it transformed into something haunting and contemporary.

Who it's for

This is written for guitarists with solid technique and musicality who are ready to commit to a substantial solo work. The piece demands independence of voice and harmonic awareness beyond intermediate level, making it ideal for serious classical guitar students preparing for competitions or advanced recitals.

How to get the most out of it

  • Map the formal architecture before diving into technical work. Understanding how each section relates to Dowland's original theme will clarify your interpretive choices and help you avoid treating separate passages as isolated challenges.
  • Balance color and clarity when navigating the contrapuntal passages. Britten layers ideas densely, so consistent tone and articulation become your tools for keeping voices distinct without overplaying.
  • Let the harmonic language breathe. This isn't music that benefits from aggressive tempo, even in the more energetic sections; the beauty lives in how Britten stretches and recontextualizes each phrase.
  • Study the source material. Listening to or reading Dowland's original song will give you intuition for which moments Britten honors directly and which he reimagines, deepening your command of the whole work.

How to use it

Feature this as a standalone piece on a solo recital or as part of a program exploring twentieth-century responses to Renaissance and Baroque material. It pairs naturally with other Britten guitar works or with contemporary pieces that engage historical sources. The scope and substance of Nocturnal also make it an excellent centerpiece for a student concerto competition or advanced recital.

Skills your students will build

  • Independent voice management across multiple simultaneous melodic lines
  • Harmonic analysis and understanding of twentieth-century tonal language
  • Sustaining focus and narrative arc across an extended single-instrument work
  • Variations technique and the ability to hear transformations of a single melodic idea
  • Interpretive maturity in balancing structure with lyrical expression
  • Technical fluency across the full range of the classical guitar neck

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