Nobody's Perfect: Marching Band Conductor Score & Parts
By Robbie Nevil / By Matthew Gerrard / As performed by Miley Cyrus / As performed by Hannah Montana / Arranged by Michael Brown
Grade: 2-3
Item: 35-PK00161760
$45.00
Pickup currently not available
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| Product | Price | Quantity |
|---|---|---|
| Nobody's Perfect - Full Score | $6.00 | |
| Nobody's Perfect - Flute/Piccolo | $6.00 | |
| Nobody's Perfect - Bb Clarinet | $6.00 | |
| Nobody's Perfect - Eb Alto Sax | $6.00 | |
| Nobody's Perfect - Bb Tenor Sax | $6.00 | |
| Nobody's Perfect - Eb Baritone Sax | $6.00 | |
| Nobody's Perfect - 1st Bb Trumpet | $6.00 | |
| Nobody's Perfect - 2nd Bb Trumpet | $6.00 | |
| Nobody's Perfect - 3rd Bb Trumpet | $6.00 | |
| Nobody's Perfect - F Horn | $6.00 | |
| Nobody's Perfect - Bb Horn/Flugelhorn | $6.00 | |
| Nobody's Perfect - Trombone | $6.00 | |
| Nobody's Perfect - Baritone B.C. (Opt. Tbn. 2) | $6.00 | |
| Nobody's Perfect - Baritone T.C. | $6.00 | |
| Nobody's Perfect - Tuba | $6.00 | |
| Nobody's Perfect - Electric Bass | $6.00 | |
| Nobody's Perfect - Bells/Xylophone | $6.00 | |
| Nobody's Perfect - Snare Drum | $6.00 | |
| Nobody's Perfect - Cymbals | $6.00 | |
| Nobody's Perfect - Quad Toms | $6.00 | |
| Nobody's Perfect - Multiple Bass Drums | $6.00 | |
| Nobody's Perfect - Aux Percussion | $6.00 |
Parts Added to Cart!
Description
Miley Cyrus ("Hannah Montana") is simply the hottest ticket going all across the country. This arrangement of her mega-hit rocks from beginning to end.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00161760
More about this title
About the Composer: Robbie Nevil
Robbie Nevil is a songwriter and composer who has shaped popular music across multiple decades, with credits spanning film, television, and commercial recordings. His work demonstrates a gift for crafting memorable melodies that resonate with broad audiences while remaining musically substantive.
Why we love this
Michael Brown's arrangement captures the infectious energy of the original without sacrificing the marching band idiom. At Grade 2-3, it's accessible enough for developing sections yet engaging enough to hold audiences' attention, making it an excellent choice for mid-season programming when you need crowd appeal without technical compromise.
What to expect
Bright, energetic, and unabashedly fun. The arrangement maintains the pop sensibility of the original while functioning smoothly within a marching ensemble setting. Expect the kind of youthful exuberance that audiences genuinely enjoy.
Who it's for
Marching bands working at Grade 2-3 level who want current, recognizable material that engages both students and audiences. Directors seeking a bridge between educational rigor and popular appeal will find this arrangement delivers on both fronts.
How to get the most out of it
- Maintain rhythmic precision in the tutti sections; this arrangement relies on locked ensemble articulation to achieve its impact.
- Balance the melody line so it cuts through supporting harmonies. This tune deserves clarity and presence from whoever carries it.
- Keep the forward momentum consistent throughout. Resist the urge to slow down during transitions; this piece thrives on continuity.
How to use it
This works especially well as a closer or finale when you want to send crowds out smiling. Pair it with contrasting repertoire earlier in the program to showcase your band's range, or use it in spring shows where contemporary hits balance your concert season.
Skills your students will build
- Articulation consistency across full ensemble
- Executing rhythmic precision in faster tempos
- Balancing melody and accompaniment textures
- Sustaining musical energy across extended passages