Nobody's Perfect: Jazz Ensemble Conductor Score & Parts
By Robbie Nevil / By Matthew Gerrard / As performed by Hannah Montana / Arranged by Rick Stitzel
Grade: 1-2
Item: 35-PK00122389
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Nobody's Perfect - Full Score | $6.00 | |
| Nobody's Perfect - Alto Sax 1 | $6.00 | |
| Nobody's Perfect - Alto Sax 2 | $6.00 | |
| Nobody's Perfect - Tenor Sax 1 | $6.00 | |
| Nobody's Perfect - Tenor Sax 2 | $6.00 | |
| Nobody's Perfect - Baritone Sax | $6.00 | |
| Nobody's Perfect - Trumpet 1 | $6.00 | |
| Nobody's Perfect - Trumpet 2 | $6.00 | |
| Nobody's Perfect - Trumpet 3 | $6.00 | |
| Nobody's Perfect - Trombone 1 | $6.00 | |
| Nobody's Perfect - Trombone 2 | $6.00 | |
| Nobody's Perfect - Trombone 3 | $6.00 | |
| Nobody's Perfect - Guitar | $6.00 | |
| Nobody's Perfect - Piano | $6.00 | |
| Nobody's Perfect - Bass | $6.00 | |
| Nobody's Perfect - Drums | $6.00 | |
| Nobody's Perfect - Vibes | $6.00 | |
| Nobody's Perfect - Flute | $6.00 | |
| Nobody's Perfect - Bb Clarinet 1 | $6.00 | |
| Nobody's Perfect - Bb Clarinet 2 | $6.00 | |
| Nobody's Perfect - F Horn | $6.00 | |
| Nobody's Perfect - Tuba | $6.00 |
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Description
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More about this title
About the Composer: Robbie Nevil
Robbie Nevil is a songwriter and producer who has crafted material for some of pop music's biggest names, with a knack for creating hooks that stick with audiences long after the first listen. His work across film, television, and recording artists demonstrates a strong understanding of what energizes performers and listeners alike.
Why we love this
This arrangement captures the infectious energy of the original without demanding virtuosity from your players. Rick Stitzel's orchestration keeps the focus on the driving rhythmic momentum and memorable hook, making it an excellent choice for younger ensembles that want to perform something current and engaging.
What to expect
Propulsive and infectious. The driving rhythm and punchy riffs create an immediate sense of forward motion, while the hook lodges itself in your ear with the kind of pop-savvy songwriting that made the original a hit. It's modern and fun without ever feeling frivolous.
Who it's for
Bands at the Grade 1-2 level who want to program music their students already know and love. This works equally well for middle school ensembles building foundational playing skills and high school groups seeking a high-energy crowd pleaser with modest technical demands.
How to get the most out of it
- Lock the rhythm section into the kick drum pulse early in rehearsal; the groove depends on absolute rhythmic precision from bass, drums, and any comping instruments.
- Emphasize the riff textures during sectional rehearsals so brass and reeds match articulation and attack when they hit together.
- Record a rehearsal run-through and listen back as a group; hearing the cumulative effect of all parts reveals whether the forward momentum is landing.
How to use it
Place this on a spring concert alongside more traditional repertoire to give the program variety and show students that jazz ensemble literature spans multiple eras and styles. It also serves as a morale booster mid-rehearsal season when the group needs a change of pace.
Skills your students will build
- Consistent articulation across sections
- Rhythmic precision in syncopated rhythms
- Locking ensemble entrances with confidence
- Playing with stylistic nuance in a contemporary rock context