Newsies: Choral Instrumental Pak
As performed by Alan Menken / As performed by Jack Feldman / As performed by Newsies (Musical) / Arranged by Roger Emerson
Item: 35-PK00254755
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About the Artist: Alan Menken
Alan Menken has shaped the sound of modern musical theater for nearly four decades, beginning with his groundbreaking work on Disney animated films in the 1980s and 90s. His instinct for melody combined with emotional depth makes his scores both singable and dramatically powerful, a rare quality that explains why his music endures in educational settings long after its theatrical premiere.
Why we love this
Roger Emerson's arrangement captures the kinetic energy of Newsies without sacrificing the emotional moments that make the score stick with audiences. Six songs in ten minutes keeps the pacing tight while the medley structure lets you hit all the highlights that students and crowd will recognize instantly.
What to expect
You're standing shoulder to shoulder with a ragged group of determined kids who've found their voice and their courage. The music pulses with youthful determination and infectious optimism, shifting from cocky street energy to quiet vulnerability and back again with the kind of sincerity that only Menken can deliver.
Who it's for
Choirs with solid rhythmic control and singers who thrive on contemporary material will respond immediately to this medley. It works equally well for middle school ensembles gaining confidence with Broadway style and high school choirs looking for an audience pleaser that doesn't sacrifice musical substance.
How to get the most out of it
- Establish the newsboys' swagger early in Brooklyn's Here; this sets the tone for the whole medley and gives your singers permission to be bold.
- The transition into Seize the Day demands rhythmic precision from your accompaniment, so lock that section before adding vocal layers.
- Balance your soloists carefully in SantaFe since it's the reflective heart of the medley and easy to lose if the texture gets too thick.
- Build the final moments with Something to Believe In as a true climax; the joy here should feel earned after the emotional arc you've traveled.
How to use it
This medley sits perfectly as a spring concert closer or as the centerpiece of a Broadway themed concert where you want something with genuine theatrical weight. The ten minute length gives you flexibility to program it alongside a ballad or lighter fare without disrupting your concert architecture.
Skills your students will build
- Navigating stylistic shifts from contemporary Broadway idiom to introspective ballad writing
- Rhythmic precision in syncopated patterns typical of musical theater
- Dynamic contrast and emotional storytelling across a longer medley form
- Ensemble blend and balance when handling rapid transitions between songs