New Year's Day Sheet Music Preview

New Year's Day: SAB Choral Octavo

As performed by Sam Hollander / As performed by Martin Johnson / As performed by Pentatonix / As performed by Kevin Olusola / As performed by Mitchell Grassi / As performed by Scott Hoying / As performed by Ben Bram / As performed by Kirstin Maldonado / As performed by Avriel Kaplan / Arranged by Jacob Narverud

Item: 35-DS00369642

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 21
SKU: 35-DS00369642

More about this title

About the Artist: Sam Hollander

Sam Hollander is a prolific pop songwriter and producer who has crafted hits across multiple genres and for numerous artists. His work in contemporary music spans both solo projects and collaborative efforts, making him a significant voice in modern songwriting.

Why we love this

Jacob Narverud's arrangement captures the infectious energy of a contemporary pop hit while making it genuinely singable for three-part choirs. The SAB voicing sits naturally across mixed ensembles, and the a cappella texture lets the harmonic sophistication shine without instrumental cover.

What to expect

Fresh and celebratory, with the polished vocal blend of modern a cappella aesthetics. The piece carries an optimistic energy suited to new beginnings while maintaining the harmonic richness that makes pop arrangements engaging for trained singers.

Who it's for

Choirs seeking contemporary material that balances accessibility with arranging craft. This works for mixed ensembles at high school and community levels who want to perform recognizable current music without relying on full instrumentation.

How to get the most out of it

  • Shape the opening phrases with breath support; the pop idiom can tempt singers toward choppy phrasing, but legit vocal line work will carry the tune's natural contour.
  • Nail the rhythmic precision in group passages. This style lives on groove, so lock the articulations and release points across all three parts.
  • Explore the dynamics as emotional markers rather than volume changes. The chart likely has moments of sparse texture that need intentional restraint.

How to use it

Consider this for winter or spring concerts, particularly in a set celebrating contemporary music or as a closer that leaves audiences smiling. It also serves as an accessible entry point for choirs building confidence with pop repertoire.

Skills your students will build

  • Blending and balance in a cappella voicings
  • Pop rhythmic phrasing and articulation
  • Layered harmonic listening across three parts
  • Intonation in close-voiced modern arrangements

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