New Directions® For Strings, Violin Book 1 Cover Image

New Directions® For Strings, Violin Book 1: Violin Method Book

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New Directions® For Strings, Violin Book 1 Cover Image

New Directions® For Strings, Violin Book 1: Violin Method Book

By Joanne Erwin, Kathleen Horvath, Robert D. McCashin, Brenda Mitchell / arr. Soon Hee Newbold, Elliot Del Borgo

Item: 98-SB303VN

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Description
Written by a team of pedagogues representing each of the four stringed instruments, this exciting method includes many "new directions," including equal integration of all instruments and a tetrachord-based approach to support proper development of the left hand. Discover the abundance of assessment opportunities, attention to bow control, and the incredible music that will surely motivate your students!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, New Directions® For Strings, Violin Book 1: Violin Method Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: New Directions® For Strings
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56-939572-1
ISBN13: 978-1-56-939572-1
UPC: 674398218646
SKU: 98-SB303VN

More about this title

Why we love this

The tetrachord foundation here genuinely changes how students grasp left-hand placement and finger spacing before moving to full positions. Rather than introducing five positions simultaneously, this method lets players build muscle memory where it matters most, reducing the frustration that derails so many young string players.

What to expect

Clear and purposeful from the opening exercises. The tetrachord-based design creates an immediate sense of order and placement rather than the typical scattered finger pattern. As students advance, the music grows organically alongside their technical confidence.

Who it's for

Beginning violinists from elementary through early middle school who benefit from a logically sequenced approach. Directors implementing a string program from the ground up will find this especially useful for its thoughtful progression and multi-instrument coordination.

How to get the most out of it

  • Build bow awareness from day one by practicing sustained tones before adding any left-hand movement. Students who develop independent bow control early transfer that skill seamlessly when note patterns enter.
  • Use the equal integration of all four instruments to your advantage. When students hear violins, violas, cellos, and basses playing the same material in unison, they understand immediately that they're part of something larger than their own part.
  • Return regularly to the assessment opportunities embedded throughout the book rather than saving evaluation for the end of each unit. Frequent check-ins reveal which students need immediate clarification on tetrachord spacing versus those ready to move forward.

How to use it

Use this as your primary method text during the foundational year of any string program. The built-in assessment checkpoints align naturally with report card cycles, while the arranged pieces work perfectly for end-of-unit performances or informal classroom demonstrations.

Skills your students will build

  • tetrachord-based left-hand placement and finger spacing
  • independent bow control and weight distribution
  • reading in first position with multiple clef and note contexts
  • ensemble listening and blend across four string instruments
  • self-assessment through embedded evaluation opportunities

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