Never Can Say Goodbye Sheet Music Preview

Never Can Say Goodbye: SSA Choral Octavo

By Clifton Davis / As performed by Gloria Gaynor / As performed by The Jackson 5 / Arranged by Mark Brymer

Item: 35-DS00133368

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00133368

More about this title

About the Composer: Clifton Davis

Clifton Davis is a singer, songwriter, and actor who became a fixture of 1970s pop and soul music. He wrote "Never Can Say Goodbye," which became a signature hit for both The Jackson 5 and Gloria Gaynor, showcasing his gift for crafting hooks that stick with listeners long after the song ends. His work bridges the worlds of popular music and theatrical performance, making him a natural voice for understanding how contemporary songs translate into choral settings.

Why we love this

Mark Brymer's arrangement captures the infectious energy of the original while making it genuinely singable for SSA choirs. The vocal lines sit naturally for women's voices, and the disco groove translates beautifully to a concert setting without losing any of its joy or momentum. Programmers love this piece because it lands equally well on a pops concert or as a bridge between classical and contemporary repertoire.

What to expect

Pure disco optimism wrapped in accessible vocal harmony. The song pulses with warmth and motion, delivering that signature 1970s groove while remaining grounded in genuine melodic substance. Singers feel the lift of the arrangement and audiences respond to music they know and love, made fresh through choral voices.

Who it's for

Any SSA or SSAA choir looking for a contemporary piece with instant appeal and built-in audience recognition. This works equally well for high school choirs seeking confident, feel-good concert material and community or adult choirs who want to connect with recognizable pop repertoire.

How to get the most out of it

  • Keep the rhythm section locked and bouncy; the groove lives in the pocket, not in rushing ahead of the beat.
  • Balance the upper voices carefully so the main melodic line carries through without drowning out the harmonic support underneath.
  • Use dynamic contrast between the verse and chorus sections to maintain energy across all 11 pages without letting the piece feel repetitive.
  • If using recorded accompaniment, rehearse with it early and often so singers internalize the groove before performance.

How to use it

Pair this with other contemporary pop arrangements for a full pops concert, or use it as a standout moment on a mixed program to shift the energy and engage audiences who might not typically attend classical concerts. The piece also works beautifully as a finale number or as part of a medley celebrating iconic pop songs.

Skills your students will build

  • Sustaining groove and rhythmic precision in a disco/pop idiom
  • Balancing multiple vocal lines to support rather than compete with the melody
  • Interpreting contemporary music with stylistic authenticity
  • Managing dynamic control and phrase shaping across extended harmonic sections
  • Singing with confidence in a familiar, recognizable pop context

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