Nella Fantasia (In My Fantasy) (arr. Audrey Snyder): SATB Choral Octavo
Nella Fantasia (In My Fantasy) (arr. Audrey Snyder) Sheet Music Preview

Nella Fantasia (In My Fantasy) (arr. Audrey Snyder): SATB Choral Octavo

By Ennio Morricone / As performed by Il Divo / Arranged by Audrey Snyder

Item: 35-DS00264555
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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00264555

More about this title

About the Composer: Ennio Morricone

Ennio Morricone stands as one of the most prolific and influential film composers of the twentieth century. His mastery of orchestration and harmonic sophistication shaped the sound of cinema across decades, from spaghetti westerns to historical epics, earning him an Academy Award and countless international accolades.

For choral musicians, Morricone's work represents a rare opportunity to engage with concert music that has genuine cultural weight. His melodies are instantly recognizable yet deeply rewarding to perform, and his harmonic language rewards careful attention to blend and balance.

Why we love this

Audrey Snyder's arrangement captures the soaring lyricism of this beloved melody while making it genuinely singable across all four voices. The writing sits well on the voice, the accompaniment supports without overwhelming, and the emotional arc builds naturally to a satisfying climax. This is the kind of piece that reminds your choir why they fell in love with singing.

What to expect

Singing this piece feels like stepping into a moment of quiet reflection. The melody floats with simplicity and grace, yet carries the weight of something genuinely important. There's vulnerability in the voicing and warmth in the harmonic choices that invite the listener into an intimate space.

Who it's for

Intermediate to advanced SATB choirs looking for accessible yet emotionally substantive repertoire. This works equally well for festival programs, concert closers, or singers who want to experience Morricone's gift for melody in a chamber setting.

How to get the most out of it

  • Find the underlying pulse early in rehearsal, then shape the line over it rather than rushing through the text. The elegance comes from restraint.
  • Balance the soprano line with warmth from the inner voices; this isn't a soprano feature but a collective statement.
  • Mark any divisi carefully so singers understand whether they're carrying the main melody or supporting it.
  • Pay attention to vowel consistency across the entrance points. Slight misalignment in vowel color will cloud the blend.

How to use it

Consider pairing this with other film score arrangements or concert spirituals for a program that crosses genre lines without losing coherence. It also serves beautifully as a concert closer, especially when you want to leave the audience in a reflective frame of mind. The nine pages give you enough substance for a complete selection without the rehearsal commitment of a full cantata.

Skills your students will build

  • Legit singing technique with sustained phrasing over 8+ bars
  • Harmonic listening across all voice parts
  • Text expression and diction in Italian
  • Blend and balance when carrying vs. supporting the melody
  • Managing dynamic shape in lyrical music without oversinging

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