Nebraska: The Cornhusker State Cover Image

Nebraska: The Cornhusker State: Piano Sheet

$5.50 USD
Sale price  $5.50 USD Regular price 
Skip to product information
Nebraska: The Cornhusker State Cover Image

Nebraska: The Cornhusker State: Piano Sheet

By Bernadine Johnson

Level: Intermediate

Item: 00-37127

$5.50
Shipped

One moment…

Description
Nebraska: The Cornhusker State is a musical view of this state. Coined by a sportswriter in 1900, the term "Cornhuskers" became the official name of the University of Nebraska's athletic teams. The first movement, "Husker Mania!," is a rousing piece that brings to mind a football fight song. The berceuse style of the second movement, "The Great Platte River," is a gentle ride down the river that flows through the state. The rowdy third movement, "Buffalo Bill's Wild West Show," is a return to the days of this American figure who brought his rough and tumble rodeo show to North Platte.

Nebraska: The Cornhusker State: Piano Sheet isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio

Great Platte River

0:00
0:00
Sample Video
Additional Details
Series: Recital Suite Series
Publisher: Alfred Music
Page Count: 12
ISBN10: 0-7390-7749-X
ISBN13: 978-0-7390-7749-8
UPC: 038081412443
SKU: 00-37127

More about this title

About the Composer: Bernadine Johnson

Bernadine Johnson

Bernadine Johnson studied music education at Indiana Wesleyan University, where she later served as a clinician and adjudicator for regional music associations. Based in Fremont, Michigan, she maintains an active piano studio serving students across all ages and ability levels while holding memberships in several professional teacher organizations, including the Michigan Music Teacher's Association and the Grand Rapids Piano Teacher's Forum.

Her work as an educator extends beyond private instruction into composition and curriculum development. Johnson has co-authored innovative suite publications with Alfred Music and received recognition for her contributions to music education, including the Newaygo County Cultural Programs Award. Her compositions draw on theatrical and thematic inspiration, ranging from classical ballet arrangements to state-inspired suites that engage students through narrative and vivid musical storytelling.

Why we love this

Johnson crafts three distinct movements that demand genuine musicianship without overwhelming intermediate players. The contrasts across these movements, from stadium energy to intimate lyricism to frontier rowdiness, keep both performer and listener engaged, making this an ideal choice for recitals where you want something with real personality and scope.

What to expect

A musical travelogue that moves from the roar of a stadium to the gentle flow of a river to the dust and excitement of a frontier show. Each movement carries its own mood and texture, inviting the performer to paint with sound and tell a story about place and history.

Who it's for

Intermediate pianists preparing for recitals who want a complete multi-movement work with narrative depth. Students benefit from exploring contrasting styles within a single suite without the demands of advanced repertoire.

How to get the most out of it

  • In 'Husker Mania!,' emphasize the rhythmic drive and articulation to capture that fight song spirit. Clean attacks on the accented figures will make the piece bounce with athletic energy.
  • Let the middle movement breathe. The berceuse style of 'The Great Platte River' asks for a singing right hand and responsive left hand accompaniment; resist the urge to rush, even at Intermediate level.
  • Build the rowdy character of 'Buffalo Bill's Wild West Show' through dynamic contrast and slightly exaggerated articulation. This movement thrives on character, not just technical precision.

How to use it

This suite works beautifully as a complete recital centerpiece, allowing a single student to demonstrate range and maturity across three connected pieces. You might also program individual movements separately if you need variety or filler pieces for different recital themes.

Skills your students will build

  • Contrasting touch and tone across three distinct musical styles
  • Stylistic interpretation of fight song, berceuse, and character dance forms
  • Dynamic control and phrasing over longer, multi-movement works
  • Rhythmic precision in march-like and driving passages
  • Lyrical singing tone in slower, sustained sections

You May Also Like