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Narrative in Argument: Piano (Solo)

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Narrative in Argument Cover Image

Narrative in Argument: Piano (Solo)

By Ross Lee Finney

Item: 98-EP67230

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-30-073685-1
ISBN13: 979-0-3007-3685-3
SKU: 98-EP67230

More about this title

About the Composer: Ross Lee Finney

Ross Lee Finney (1906-1997) was an American composer whose prolific output spanned seven decades and shaped twentieth-century piano literature. A faculty member at the University of Michigan for over forty years, Finney championed contemporary music in the classroom and concert hall, believing that living composers had essential voices in music education. His piano works range from accessible teaching pieces to sophisticated concert works that explore serial and twelve-tone techniques while remaining grounded in lyrical expression.

Finney's approach to composition valued clarity of line and structural integrity. His writing for piano balances technical demands with musical substance, making his scores appealing to advanced students and professional pianists alike. He remained prolific into his nineties, continuing to compose and mentor musicians throughout his career.

Why we love this

Narrative in Argument showcases Finney's gift for building musical tension through lean, purposeful writing. The piece rewards both the pianist and listener with a sense of directed argument and resolution, making it an excellent choice for recitals where you want serious contemporary repertoire that doesn't require extensive program notes to be engaging.

What to expect

Narrative in Argument unfolds like a conversation with shifting perspectives and mounting urgency. The piano writing is direct and sometimes austere, building argument through repetition, transformation, and carefully placed silences rather than virtuosic flourish.

Who it's for

Advanced piano students and recital pianists seeking twentieth-century solo repertoire with real substance. This work appeals to performers comfortable with contemporary harmonic language and willing to invest in understanding a piece's structural logic.

How to get the most out of it

  • Study the overall architecture first. Identify the main thematic statements and how they recur or transform; this clarity of structure will inform your phrasing and tempo choices throughout.
  • Pay attention to Finney's articulation and dynamic markings as structural signposts. They guide the narrative arc rather than merely decorating the surface.
  • Balance technical clarity with expressive purpose. Passages that are rhythmically complex should never sound labored; they're part of the argument, not obstacles to overcome.

How to use it

Program this alongside other twentieth-century American piano works to create a coherent thematic concert, or pair it with a nineteenth-century standard to show the evolution of harmonic language. At twenty pages, it provides substantial content for a full recital without dominating the program.

Skills your students will build

  • Reading and interpreting twentieth-century contemporary notation
  • Understanding formal structure in non-traditional musical argument
  • Developing independence between hands in complex rhythmic figures
  • Shaping phrases and pacing in works without lyrical melody as primary guide

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