Name Above All Names: Choral Instrumental Pak
By Mark Stevens / By Jonathan James / Arranged by Marty Hamby
Item: 35-PK00188794
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Why we love this
The orchestration gives this contemporary sacred work genuine depth without requiring a full symphonic ensemble. Marty Hamby's arrangement captures the declarative power of the text while keeping the focus on the choir, making it viable for groups with modest instrumental resources.
What to expect
Bold and reverent at once. The orchestration surrounds the choir with a sense of grandeur befitting the text's declaration of divine majesty, while the choral writing keeps the moment intimate and direct.
Who it's for
Directors programming sacred contemporary music for concert or worship settings who have access to at least a modest orchestra or can use the orchestral accompaniment. This works well for choirs comfortable with modern harmonic language and looking to add substantive sacred repertoire beyond holiday seasons.
How to get the most out of it
- Balance the choir against the orchestral texture by rehearsing sections separately first, then layering them gradually so the ensemble finds its blend naturally.
- Shape the dynamic arc across the four-and-a-half minutes to avoid a flat delivery; the majesty of the text demands intentional crescendos and strategic pulls back.
- Pay attention to the relationship between the choral line and instrumental countermelodies; clarity here makes the arrangement sing.
How to use it
Position this as a centerpiece in a spring or fall concert exploring contemporary approaches to sacred themes. It pairs effectively with both traditional hymn settings and newer worship songs, serving as a bridge between musical traditions.
Skills your students will build
- Singing with harmonic independence in contemporary choral textures
- Responding to orchestral accompaniment with ensemble precision
- Sustaining emotional intensity through a moderately extended form
- Balancing choral blend with dynamic expression in sacred music