Nacht in Venedig, Eine (A Night in Venice): Overture Cover Image

Nacht in Venedig, Eine (A Night in Venice): Overture: Full Orchestra Condensed Score

$5.00 USD

Nacht in Venedig, Eine (A Night in Venice): Overture: Full Orchestra Condensed Score

Name: Nacht in Venedig, Eine (A Night in Venice): Overture: Full Orchestra Condensed Score
Brand: Alfred Music
SKU: 36-A209699
Price: 5.00 USD
Availability: InStock

By Johann Strauss II

Item: 36-A209699

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EINE NACHT IN VENEDIG (A NIGHT IN VENICE) is an three-act operetta by Johann Strauss II (1825-1899). The libretto was written by F. Zell and Richard Genée, based on the story Le Château Trompette by Genée and Eugène Cormon. The work premiered on October 3, 1883 at the Neues Friedrich Wilhelmstädtisches Theater in Berlin. The overture establishes the sparkling, Viennese locale in which the romantic farce about mistaken identity is set. Instrumentation: 2(2nd d.Picc).2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set.

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Series: Kalmus Orchestra Library

Publisher: Keiser Productions, Inc.

ISBN10: 8-89-563129-3

ISBN13: 979-8-89-563129-4

UPC: 659859391519

SKU: 36-A209699

Instrumentation: 2(2nd d.Picc).2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set

More about this title

About the Composer: Johann Strauss II

Johann Strauss II (1825, 1899) dominated Vienna's musical life during the Austro-Hungarian Empire's most glamorous era. Known as the "Waltz King," he composed over 500 works across waltzes, polkas, marches, and operettas, establishing himself as the defining voice of 19th-century Viennese popular music. His operettas, written late in his career, blend the infectious rhythms and melodic charm of his instrumental works with theatrical storytelling, demonstrating his gift for orchestration and dramatic timing.

Strauss II inherited his father's position as Vienna's premier dance music composer and expanded it into operatic territory, competing directly with Jacques Offenbach. His operettas remain cornerstones of the light opera repertoire, performed worldwide by orchestras seeking works that combine technical polish with immediate audience appeal.

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Why we love this

The overture captures everything orchestras love about Strauss: elegant melodies, transparent orchestration that showcases every section, and infectious Viennese charm that audiences recognize instantly. This piece sits at the sweet spot between familiarity and substance, giving your orchestra genuine musical material to sink into without requiring the rehearsal depth of a concert symphonic work.

What to expect

Sparkling, urbane, and perpetually in motion. The overture moves through melody after melody with Viennese sophistication, painting a world of Venetian romance and theatrical mischief through orchestral color and infectious rhythmic vitality.

Who it's for

Orchestras at the intermediate to advanced level looking for a concert opener or lighter program offering. Programming directors seeking a work that appeals to general audiences while remaining musically legitimate.

How to get the most out of it

Keep the dotted rhythms crisp and articulate throughout; Strauss's orchestration depends on rhythmic clarity to maintain that distinctive Viennese lilt.
Balance the harp and piano parts carefully so they support the harmony without overshadowing the melodic lines in the strings.
Shape phrases across the full phrase, resisting the temptation to push the tempo during exciting passages; let the orchestration's natural momentum carry the energy.
Mark the percussion cues clearly for both players; the timpani and triangle work as punctuation, not accompaniment.

How to use it

Pair this with a heavier work later on the program to create tonal balance, or use it as a season opener to establish warmth and accessibility. It works equally well as a concert finale when you want audiences leaving energized rather than introspective.