Na Na Na (arr. Mac Huff) Sheet Music Preview

Na Na Na (arr. Mac Huff): Choral Instrumental Pak

As performed by Pentatonix / Arranged by Mac Huff

Item: 35-PK00330814

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Description
Mega group Pentatonix continues to push the limits of vocal music with this lead-off song from their fourth studio album. Uptempo rhythms sizzle, driven by handclaps and beatboxing with irresistible layered vocals for a sonic celebration!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00330814

More about this title

About the Artist: Pentatonix

Pentatonix burst onto the music scene in 2011 as winners of the third season of NBC's The Sing-Off, and they've spent the last decade redefining what a cappella can do in popular music. The five-member group blends intricate vocal arrangements, percussive beatboxing, and studio production to create tracks that feel fully realized without a single instrument. Their willingness to tackle contemporary pop hits through the lens of vocal harmony has made them cultural ambassadors for a cappella music, proving the genre can reach mainstream audiences and inspire singers of all ages.

Mac Huff has transcribed their distinctive sound into choral arrangements that preserve the energy and innovation of the original while making it accessible to ensemble singers. His work with Pentatonix's material captures the layered vocal textures and rhythmic precision that define the group's style.

Why we love this

Mac Huff's arrangement channels the infectious momentum of the original while giving singers genuine material to sink their teeth into. The handclaps and beatboxing elements translate beautifully to a choral setting, allowing students to experience contemporary production techniques through live performance rather than backing tracks alone. Your ensemble gets to own a song that resonates with current listeners, which builds buy-in that's rare when programming pop repertoire at this level.

What to expect

The piece radiates infectious momentum, layered vocals interweaving over a foundation of percussive sounds that feel like they're propelling the music forward. There's genuine joy in the repetition and build, with each harmonic layer adding texture to what becomes a celebration of vocal possibility.

Who it's for

Directors programming pops concerts or contemporary music festivals will find an immediate crowd-pleaser that appeals to both student performers and their audiences. This works equally well for show choirs exploring modern arrangements and traditional choirs wanting to expand beyond their usual repertoire.

How to get the most out of it

  • Establish the handclap patterns in isolation before layering voices, treating them as rhythmic anchors that lock the arrangement together.
  • Lean into the beatboxing elements with crisp articulation on percussive syllables; let students hear how these sounds function like a drum section.
  • Balance the layered vocals carefully so each harmonic strand remains audible without any section overwhelming the blend.
  • Capture the contemporary groove through precise rhythmic control rather than trying to sound polished or overly refined; this song thrives on sonic energy.

How to use it

Open a pops concert with this to set an energetic tone, or position it mid-program as a palate cleanser that showcases your ensemble's rhythmic precision and blend. The contemporary appeal makes it an excellent bridge piece when programming alongside more traditional arrangements, signaling to your audience that your singers command multiple musical worlds.

Skills your students will build

  • Layering voices independently while maintaining harmonic awareness
  • Executing rhythmic precision in syncopated pop idioms
  • Producing vocal percussion sounds (beatboxing elements) with clarity and control
  • Balancing multiple melodic strands within a dense texture
  • Interpreting contemporary musical production choices through live vocal performance

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