Na Na Na (arr. Mac Huff) Sheet Music Preview

Na Na Na (arr. Mac Huff): SAB Choral Octavo

As performed by Pentatonix / As performed by Kevin Olusola / As performed by Taylor Parks / As performed by Avriel Kaplan / Arranged by Mac Huff

Item: 35-DS00330806

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00330806

More about this title

About the Artist: Pentatonix

Pentatonix redefined modern a cappella by proving that five voices could deliver the sonic richness and rhythmic sophistication once thought to require full instrumental ensembles. Their approach to arrangement, layering, and vocal percussion has influenced how thousands of singers think about ensemble blend and contemporary vocal music.

For music educators, their catalog represents accessible entry points into popular repertoire without sacrificing musicianship. Their work demonstrates that contemporary arrangements can demand serious technique while remaining engaging for student performers and audiences.

Why we love this

Mac Huff's arrangement captures what makes Pentatonix's original distinctive: clever counterlines, rhythmic precision, and the kind of infectious energy that energizes an entire concert. SAB voicing opens this track to more mixed choirs while preserving the arrangement's character and complexity.

What to expect

Propulsive and modern, with a infectious rhythmic energy that comes from tight vocal layering and harmonic sophistication underneath the accessibility. The arrangement has the brightness and momentum of the original while giving each voice part something interesting to execute.

Who it's for

Intermediate mixed choirs and show choirs looking to program contemporary pop music that demands genuine musicianship. Groups comfortable with rhythmic precision and who want to connect with audiences through current repertoire will find this rewarding.

How to get the most out of it

  • Lock in the groove with your rhythm section voices first. The bass and lower middle parts carry the harmonic foundation that everything else builds from.
  • Treat the recorded accompaniment as a rehearsal tool to nail rhythmic entrances, then have singers prove they can execute those passages without it during dress rehearsals.
  • Shape the melodic lines with intentional dynamics rather than singing everything at full volume. Pop arrangements thrive on the contrast between punchy rhythmic sections and more lyrical moments.
  • Balance the upper voices carefully so passing harmonies and fills land without overpowering the main melodic line.

How to use it

This works exceptionally well in a show choir or pop pops concert context where you want to showcase students' ability to tackle contemporary music with precision and style. It also serves as a solid intermediate stepping stone for groups ready to move beyond straightforward pop covers into more arranged material.

Skills your students will build

  • Rhythmic accuracy in syncopated pop grooves
  • Blend and balance within complex multi-part textures
  • Reading and executing passing harmonies and counterlines
  • Vocal percussion techniques (if parts are included)
  • Ensemble cohesion at faster tempos with intricate arrangements

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