Na Na Na: SATB Choral Octavo

Mac Huff's arrangement captures what makes Pentatonix's approach so teachable: it respects the original's textural ingenuity while making the part writing accessible for high school and college choirs. Singers get to experience contemporary arranging craft that prioritizes sonic color and rhythmic precision over technical excess, making this both musically satisfying and genuinely fun to rehearse.

Sleek and propulsive, with that immediate hook that Pentatonix perfected. The arrangement sits in a bright, conversational space where vocal timbre and rhythmic precision create momentum rather than relying on traditional harmonic progressions.

High school and college choirs seeking contemporary repertoire that feels current without sacrificing musical substance. Directors working with singers who have pop sensibilities will find this arrangement validates their interests while teaching them real ensemble discipline.

• Lock the rhythmic groove early by isolating the bass line and beatbox elements in sectionals; once that foundation is solid, the upper lines sit much more naturally
• Emphasize vowel consistency across the phrase rather than treating each syllable as discrete; the pop idiom depends on smooth vocal blending
• Build in dynamic contrast between the arranged sections; this piece rewards subtle shaping that keeps energy alive without relying on volume alone
• Record a rough sectional pass early and have students listen to it between rehearsals; hearing themselves in context accelerates part security and confidence

Consider pairing this with other contemporary or pop crossover fare to program a concert half that feels cohesive and current. It also works exceptionally well as a concert opener when you need to engage an audience immediately with something recognizable and energetic.

• Rhythmic independence in non-traditional meters and syncopated patterns
• Beatboxing techniques and percussive vocal sounds
• Blending in contemporary pop voicing rather than classical SATB spacing
• Quick part security through layered, repetitive writing
• Dynamic subtlety in pop contexts