Mystical Magical Sheet Music Preview

Mystical Magical: SAB Choral Octavo

Recorded by Benson Boone

Words and music by Benson Boone, Jackson Larsen, Evan Blair, Terence Shaddick, and Steve Kipner / arr. Alan Billingsley

Item: 00-PO-0007568

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Description
Benson Boone's "moonbeam ice cream" hit features a catchy melody over a bouncy bassline and sugar-sweet pop harmonies. Faithful to the original, this perky arrangement captures the sparkling energy of Benson's signature style from the optional opening solo to the head-bopping chorus. Our optional SoundPax includes parts for rhythm section and synths.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0007568

More about this title

About the Composer: Benson Boone

Benson Boone is a singer and songwriter who emerged from the reality competition format "American Idol" and has since built a significant following in contemporary pop music. His work combines accessible melodies with production sensibilities that appeal across demographic lines, making his material a natural fit for choral arrangements that need to engage modern ensembles.

Why we love this

This arrangement proves that contemporary pop can sit comfortably in the choral repertoire without losing its essential character. The optional opening solo and head-bopping chorus give singers permission to have fun while maintaining the musical integrity of the original, and the included rhythm section parts mean your accompaniment can sound polished and radio-ready.

What to expect

Bright, effervescent, and genuinely joyful. The sparkling energy comes from the interplay between the catchy melody and that bouncy bassline, creating a sonic landscape that feels modern and polished. Singing this feels like being part of something contemporary and fun, not dusty or academically distant.

Who it's for

Directors looking to program contemporary music that feels current and energetic without requiring extensive vocal gymnastics or splitting singers across four or five parts. This works equally well for middle school choirs wanting radio-friendly material and high school ensembles seeking lighter repertoire for concerts that need variety in mood and style.

How to get the most out of it

  • Balance the optional opening solo so it draws listeners in without overshadowing the ensemble once the full chorus enters; the contrast between solo and full sound is part of what makes this arrangement sparkle.
  • Keep the bassline bouncy and rhythmically crisp, especially if using the rhythm section parts. This groove is the spine of the arrangement and deserves precision from your musicians.
  • The sugar-sweet harmonies need clear vowel unification across all three parts. Spend rehearsal time on blend rather than individual part security once notes are learned.
  • If incorporating synth parts from SoundPax, let them sit slightly back in the mix so the voices remain front and center. The synths should enhance, not compete.

How to use it

Reserve this for concert moments where you want to shift the emotional temperature from serious or contemplative material into something that makes the audience smile. It pairs well after a block of classical or art song repertoire, offering relief and connection to musical styles your singers encounter in their daily lives.

Skills your students will build

  • Maintaining rhythmic independence while supporting a strong bass line
  • Balancing solo and ensemble textures
  • Blending tight three-part harmony in a contemporary idiom
  • Shaping phrase contours in pop music contexts
  • Coordinating with instrumental accompaniment (if using rhythm section or synth parts)

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