Myklas Contest Winners, Book 4 Cover Image

Myklas Contest Winners, Book 4: Piano Book

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Myklas Contest Winners, Book 4 Cover Image

Myklas Contest Winners, Book 4: Piano Book

10 Original Piano Solos from the Myklas Music Press Library

Level: Late Intermediate

Item: 00-37333

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Description
Myklas Music Press was highly regarded for its extensive catalogue of quality elementary and intermediate supplemental piano music. The pieces that are included in Myklas Contest Winners represent Myklas's most popular and effective solos drawn from festival and contest lists. Divided into four graded collections, outstanding and time-tested solos are made available again by Rhonda Bennett, Ronald Bennett, Rosemary Barrett Byers, Lynne Cox, Anne Shannon Demarest, Mary Hauber, Ernest Kramer, Joyce Schatz Pease, Ruth Perdew, John Robert Poe, Catherine Rollin, Mike Springer, Robert D. Vandall, and Judy East Wells. Book 4 includes pieces appropriate for late intermediate students. Challenges include expanded use of chords and inversions, changing meter, sixteenth notes, independence between the hands, and more difficult key signatures. Titles: Ballet Beauties * Crystal Snowflakes * Festival Bells * On the Slopes * Ovation No. 2 (from Three Ovations) * Perpetual Motion II * Spooky Blues * Summer Smoke * Tarantella Espagnole * Walk It Slow.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-7949-2
ISBN13: 978-0-7390-7949-2
UPC: 038081418216
SKU: 00-37333

More about this title

Why we love this

Book 4 gathers ten solidly crafted solos that have proven themselves on festival stages and in student recitals. The collection balances technical growth with musical substance, so students aren't slogging through dry exercises; they're learning through repertoire that actually rewards careful practice.

What to expect

This collection spans moods from the rhythmic sparkle of 'Festival Bells' to the rhythmic swagger of 'Walk It Slow,' with detours through Spanish flair and wintry imagery. Each piece has its own character, but all share a satisfying blend of technical challenge and melodic clarity that rewards the student who engages seriously.

Who it's for

Late intermediate pianists preparing for festivals, contests, or recitals will find substantial material here. These pieces sit at exactly the right difficulty level for students ready to tackle independence between the hands, expanded harmonic vocabulary, and changing meters without overwhelming them.

How to get the most out of it

  • Work through the chord voicings and inversions slowly before bringing them up to tempo. Block them first if needed, then integrate the hand independence gradually.
  • Pay close attention to meter changes. Mark them clearly on your score and practice counting through the transitions until they feel natural rather than jolting.
  • Listen for the character implied in each title. 'Spooky Blues' and 'Tarantella Espagnole' have completely different musical personalities; let that guide your interpretive choices.

How to use it

Use individual pieces from this book as stepping stones between early and advanced intermediate repertoire. A single solo works beautifully on a student recital program, or program several pieces from the collection across an entire season to showcase your late intermediate students' progress.

Skills your students will build

  • Reading and executing chord inversions in both hands
  • Managing metric changes and mixed meters within a single piece
  • Coordinating rhythmic independence between hands, especially sixteenth-note figures
  • Navigating more complex key signatures
  • Sustaining a consistent tempo through technically demanding passages

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