My Worth Is Not In What I Own Sheet Music Preview

My Worth Is Not In What I Own: SATB Choral Octavo

As performed by Keith Getty / As performed by Kristyn Getty / As performed by Graham Kendrick / As performed by Keith and Kristyn Getty / Arranged by David Angerman

Item: 35-DS00305651

Digital Download
$2.99

One moment…

Description

My Worth Is Not In What I Own: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00305651

More about this title

About the Artist: Keith Getty

Keith Getty is a Northern Irish Christian music artist and songwriter whose compositions have become staples in contemporary worship settings. Working frequently with his wife Kristyn Getty and collaborators like Graham Kendrick, he has written songs that balance accessibility with genuine theological depth, earning him recognition across denominational lines.

Why we love this

This arrangement brings a modern hymn sensibility to the SATB format without sacrificing singability or impact. Angerman's setting feels fresh while honoring the song's intimate lyrical message about faith and identity, making it equally suitable for a Sunday service or a concert program exploring contemporary sacred music.

What to expect

Warm and introspective, with the kind of harmonic sophistication that suggests quiet confidence rather than bombast. The piece invites singers and listeners into a moment of reflection, grounded in lyrics that challenge consumerist values through the lens of faith.

Who it's for

Any SATB ensemble looking to expand their contemporary sacred repertoire beyond traditional hymn settings. This works equally well for high school, college, community, and church choirs seeking material that speaks to questions of identity and worth.

How to get the most out of it

  • Balance the text clarity against the harmonic movement; the message of this song deserves space to breathe, so resist rushing through phrases.
  • Use the alto and tenor lines to anchor the harmonic foundation while sopranos and basses shape the melodic contour.
  • Let dynamics serve the emotional arc rather than following a predictable crescendo pattern; find where the theology actually shifts and let that guide your interpretation.
  • Consider how much independence each voice part needs in rehearsal before blending; Angerman likely uses counter-motion or staggered entries somewhere that requires individual security first.

How to use it

Program this alongside other Getty/Kendrick compositions if you're building a thematic service or concert centered on modern hymn writing. It also serves as an excellent anchor for a set exploring how contemporary songwriters approach traditional theological questions, pairing naturally with both older hymn texts and newer worship songs.

Skills your students will build

  • Singing contemporary hymn idioms with harmonic sensitivity
  • Balancing text intelligibility with four-part blend
  • Navigating moderate rhythmic complexity in a devotional context
  • Interpreting dynamics and phrasing to support theological content

You May Also Like