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My Wish for You: SATB Choral Octavo

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My Wish for You Cover Image

My Wish for You: SATB Choral Octavo

Words and music by Mary Donnelly / arr. George L. O. Strid

Level: Moderate

Item: 00-SVM04056

$1.60
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Description
"Farewell my friend, be beautiful and free; farewell my friend, be all that you can be . . . " is the message of this exceptional concert closer. Combined with a delightful melody, this piece will make a superb addition to any concert. Works exceptionally well for graduation or throughout the year!

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Additional Details
Publisher: Alfred Music
UPC: 654979077947
SKU: 00-SVM04056

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada before discovering her passion for music education during her undergraduate years. She organized two children's choruses as a student, then pursued formal training in music pedagogy and arts integration, earning a Master's Degree from Lesley College in Cambridge, Massachusetts. Over thirty years, she taught general music and choir in Washoe County schools, where she became deeply invested in making music accessible and joyful for young singers.

In 1985, Donnelly began a prolific creative partnership with arranger George L. O. Strid when their principal asked them to compose a musical for Reading Week. That collaboration spawned more than two hundred songs and twenty-five musicals. A retired educator and active member of ACDA, NEA, and ASCAP, Donnelly continues to live in Reno with her husband.

Why we love this

This piece captures something rare: a farewell that feels genuinely warm rather than sentimental. The melody is immediately singable, the message is meaningful without being heavy-handed, and it works equally well at graduation ceremonies or as a year-round concert closer. Directors consistently find that singers engage authentically with both the text and the tuning, making it a rewarding piece to rehearse and a memorable moment in any concert.

What to expect

Gentle and hopeful, with a melody that feels like it's been part of your repertoire forever. The harmonic movement is warm without being complex, and the text creates an intimate moment of reflection and encouragement. Singing this piece feels like offering a genuine gift to the listener.

Who it's for

This octavo suits mixed choirs at the intermediate level who are ready to handle four-part harmony with confidence but still benefit from straightforward vocal writing. It works beautifully for high school and middle school choirs preparing a graduation concert, as well as for any ensemble seeking a meaningful, accessible piece that combines accessible music with a message singers genuinely care about.

How to get the most out of it

  • Shape the opening phrase 'Farewell my friend, be beautiful and free' with a slight ritardando and deliberate vowel clarity; this sets the emotional tone and helps the audience settle into listening.
  • Balance the parts so the melody remains audible without letting the upper voices dominate; a light touch in the soprano will allow the alto and tenor lines to support the overall warmth.
  • Use the recorded accompaniment to lock in the harmonic foundation, then gradually pull back ensemble dependence on it during rehearsals so the choir can own the tuning and phrasing independently.
  • Sustain the final measures without rushing; a gentle fermate and soft release will leave the audience in reflective silence rather than moving immediately to applause.

How to use it

Reserve this for the final spot on a graduation concert or as the closing piece in a spring choral showcase. It also serves as a powerful encore or tribute number at year-end celebrations. The moderate difficulty and uplifting message make it an ideal choice for building choir morale and reminding singers why they commit to ensemble singing.

Skills your students will build

  • SATB voice independence with supported alto and tenor lines
  • Sustaining emotional connection through text while maintaining vocal production
  • Balancing ensemble blend with individual line clarity
  • Phrasing in a sustained, lyrical context without sacrificing rhythmic precision

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