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My Shepherd Will Supply My Need: Choir, SAB, Choral Octavo

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My Shepherd Will Supply My Need Cover Image

My Shepherd Will Supply My Need: Choir, SAB, Choral Octavo

By Arthur Hardwicke/ Text from an American Southern Folk Hymn based on Psalm 23

Item: 36-TC1143

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Description
This arrangement of the American southern folk hymn has been completed by Arthur Hardwicke. Versions for SSA, SAB, and SATB choirs are available from the publisher.

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Additional Details
Series: TetraContinuo - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270902-X
ISBN13: 979-8-89-270902-6
UPC: 659859213880
SKU: 36-TC1143
Instrumentation: SAB and Piano Accompaniment

More about this title

Why we love this

Hardwicke's SAB setting honors the hymn's spiritual weight while keeping the voice parts singable and balanced across your ensemble. The arrangement respects the folk melody that generations of singers know, so even less experienced choirs can access this music with dignity.

What to expect

Intimate and grounded. The American folk hymn carries warmth and familiarity, with language that speaks directly to trust and spiritual sustenance. Hardwicke's arrangement lets the simplicity of the melody shine while the piano and supporting voice parts create a gentle harmonic foundation.

Who it's for

SAB choirs ranging from high school treble and lower voice singers to adult community ensembles seeking accessible sacred repertoire. This arrangement works well for groups with developing musicians alongside more experienced singers, since the straightforward voice leading doesn't require advanced part-singing skills.

How to get the most out of it

  • Bring out the piano accompaniment in rehearsal to anchor pitch and harmonic progression, then pull back gradually as the choir gains confidence with the parts.
  • Shape the melody phrase by phrase rather than measure by measure; this hymn benefits from the broader breathing and pacing of congregational singing.
  • Balance the inner voices (alto and baritone lines) with care. They support the soprano melody but shouldn't overshadow it.
  • Consider how much vibrato serves the text. A more restrained approach often suits sacred material better than excessive vocal ornamentation.

How to use it

Pair this with other American spiritual or folk hymn settings for a concert exploring national sacred traditions, or use it as an accessible opener to a program featuring more complex choral works. It also fits naturally into services, vespers, or community singing events where accessibility and singability matter as much as sophistication.

Skills your students will build

  • Singing in three-part texture with independent melody, alto, and baritone lines
  • Sustaining long phrases with appropriate breath control
  • Balancing personal voice part with ensemble sound in sacred music
  • Interpreting text with musical intention in hymn-based arrangements

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