My Sheep Listen To My Voice (arr. Shayla L. Blake) Sheet Music Preview

My Sheep Listen To My Voice (arr. Shayla L. Blake): 2-Part Choral Octavo

Arranged by Shayla L. Blake

Item: 35-DS00450819

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00450819

More about this title

About the Arranger: Shayla L. Blake

Shayla L. Blake

Shayla L. Blake brings decades of performing and teaching experience to her arranging work, having studied piano and flute at Stetson University and Texas Tech University under respected teachers Geoffrey Gilbert and William Westney. Her dual career as a collaborative pianist at Louisiana Tech University's School of Music and a prolific private instructor in flute and piano has given her deep insight into what works for singers and ensembles across all ages and skill levels.

As a composer and arranger, Blake's work appears with major publishers including Hal Leonard, Shawnee Press, Alfred Music, and Lorenz, with pieces performed internationally and featured at the TMEA conference. Beyond her published catalog, she conducts choirs and instrumental groups, produces recordings, and serves as director of the North Louisiana Parkinson's Chorale, where music functions as therapeutic intervention. Her 2020 Fellowship at Hambidge Center for the Arts reflects her continued commitment to artistic growth and innovation.

Why we love this

Blake's arrangement respects the meditative simplicity of this text while giving 2-part singers genuine harmonic interest. The 7-page length makes it manageable for younger or developing ensembles without sacrificing musicality, and her collaborative piano background means the accompaniment actually supports singers rather than competing for attention.

What to expect

Contemplative and grounded. The two-part texture creates space for individual voices while building collective warmth through harmony. There's a quiet authority to the pastoral imagery that feels both reassuring and reverent, never theatrical.

Who it's for

Developing choir programs, church choirs of all sizes, and school ensembles seeking repertoire that deepens harmonic awareness without overwhelming singers early in their training. This arrangement works equally well for a small sacred service setting or a choral concert where intimacy matters.

How to get the most out of it

  • Balance the two parts by having singers listen across the divide. In passages where the parts diverge most, rehearse them separately first, then layer them slowly so singers internalize the harmonic relationship before ensemble singing.
  • Let the text's pastoral imagery guide your interpretation. This isn't a dramatic proclamation; it's intimate and assured. Shape phrases with quiet confidence rather than pushing for volume.
  • Pay attention to the harmonic rhythm in Blake's accompaniment. The piano part signals musical weight and direction, so your singers should breathe where the harmony settles, not always where words might suggest.

How to use it

Nest this arrangement in a concert's second half, where audiences have settled into listening. It pairs naturally with other works of faith or reflection, and its moderate length makes it an ideal piece for expanding a program without dominating rehearsal time. In liturgical settings, it functions beautifully as an offertory or communion anthem.

Skills your students will build

  • Blending two independent melodic lines into cohesive harmony
  • Reading mixed rhythmic values across parts
  • Sustaining pitches while listening for harmonic accuracy
  • Interpreting text-driven phrasing and breath placement

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