My Romance: Choral Instrumental Pak
As performed by Lorenz Hart / As performed by Richard Rodgers / Arranged by Greg Jasperse
Item: 35-PK00272587
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| Product | Price | Quantity |
|---|---|---|
| My Romance - Guitar: Choral Instrumental Pak | $7.00 | |
| My Romance - Bass: Choral Instrumental Pak | $7.00 | |
| My Romance - Drums: Choral Instrumental Pak | $7.00 |
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Description
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More about this title
About the Artist: Lorenz Hart
Lorenz Hart stands as one of the most inventive lyricists in American musical theater, working primarily with composer Richard Rodgers during the 1920s and 1930s. His wit, conversational phrasing, and emotional sophistication elevated popular song beyond simple verse-chorus structures, influencing generations of songwriters who followed. Hart's ability to match language patterns to melodic contours made even complex harmonies feel singable and natural.
Why we love this
Greg Jasperse's arrangement respects the song's melodic elegance while completely reimagining its rhythmic landscape. The rolling feel and jazz harmonies transform what could be a period piece into something your singers will find genuinely engaging to perform, and the flexibility of the accompaniment (piano alone or full rhythm section) means you can program this regardless of your ensemble's instrumental resources.
What to expect
The arrangement wraps the song in a relaxed, modern sensibility while keeping Hart's romantic lyrics at the center. There's a gentle swing to the rhythm that invites the singers to settle into the tune naturally, creating an atmosphere that feels both intimate and polished.
Who it's for
Intermediate choirs seeking accessible jazz repertoire that doesn't require vocal gymnastics or a full jazz combo. This works equally well for high school ensembles, college sight-reading groups, or community choruses looking to add contemporary flavor to a concert program.
How to get the most out of it
- Anchor the groove in the rhythm section. Even with piano alone, the accompaniment carries a forward momentum that needs clarity; make sure your players lock into the rolling feel rather than playing it too straight.
- Balance the vocal harmony against the contemporary sound of the arrangement. The easy jazz voicings should feel integrated rather than layered on top, so encourage singers to listen across parts and blend the sonority.
- Shape the phrase lengths with breath and intention. Hart's lyrics have a conversational quality that can get lost in overly formal phrasing; find moments to ease into lines rather than hitting every entrance with equal weight.
How to use it
Pair this with other Rodgers and Hart standards for a focused set on American songwriting, or use it as a bridge between classical and contemporary styles on a mixed program. The ballad tempo and jazz harmonies make it particularly effective as a second-half opener, reestablishing connection with the audience after a more energetic first half.
Skills your students will build
- Reading jazz chord voicings and understanding how they sit within traditional melody
- Maintaining rhythmic precision in contemporary swing feels
- Balancing legit vocal production with jazz phrasing conventions
- Listening across parts to blend chord sonorities in real time