My One And Only Love (arr. Doug Andrews): SATB Choral Octavo

Andrews captures the intimate warmth of this Arlen/Rose standard while writing voicings that sit comfortably for SATB singers. The arrangement respects the melody's lyrical beauty and gives each section moments to shine, making it equally rewarding for concert programs and jazz-inflected shows.

The song settles into you like a slow late-night conversation. Andrews's harmonies have warmth and space, letting singers breathe naturally while the understatement of the arrangement speaks volumes about restraint and taste.

This arrangement serves choirs looking to expand beyond classical repertoire into jazz standards with dignity and ease. It works equally well for concert choirs wanting a sophisticated pop selection or show choirs needing a tender ballad moment.

• Shape the opening phrase with gentle dynamic contour rather than singing it straight through; the standard's timeless quality depends on subtle phrasing and breath placement.
• Balance soprano melody against alto and tenor harmonies so the inner voices support without overwhelming the primary line.
• Consider whether your accompaniment will be piano or a small jazz ensemble; the arrangement's flexibility makes both work, but rehearsing with your intended instrumentation matters early.

Slot this as a closing piece for a choral concert where you want to send audiences out reflective and moved. It also pairs naturally with other mid-century standards if you're building a concert around the American songbook.

• Singing jazz inflections and phrasing within a SATB harmonic framework
• Balancing chord tone awareness with forward melodic motion
• Ensemble blend in close harmony voicings
• Interpreting lyrics with emotional specificity rather than technical precision