My Man Sam: Tuba

Goodwin's writing respects the intelligence of student musicians while delivering professional-level arranging sophistication. The piece honors Sammy Nestico's legacy through genuine musical substance rather than surface tributes, and the balance of soloistic opportunities with ensemble cohesion makes it equally rewarding for developing players and experienced groups.

A confident, swinging medium-tempo chart that breathes with the vocabulary of classic big band tradition. The arrangement balances moments of lush sax blending with cutting shout sections and rhythmic clarity, all held together by sophisticated harmonic writing that rewards careful listening.

Jazz ensembles at the 3.5 grade level looking for authentic, professionally crafted swing writing with genuine pedagogical depth. Directors seeking a contemporary chart that honors jazz tradition while offering flexibility through optional parts (flute, vibes, and additional instruments) will find strong material here.

• Lock the rhythm section pocket at 134 BPM during the swing passages. The medium tempo requires the drummer and bass to establish a groove that sits slightly behind the beat, which gives the ensemble room to lay into the ballad sections and shout chorus without rushing.
• Feature the designated soloists (trumpet 2, alto 1, tenor 1, trombone 1) in sectional rehearsals before full ensemble work. Their comfort with the changes will inspire confidence in the section voicings that surround them.
• Highlight the dynamic contrasts that Goodwin has written into the sax solis and shout chorus. These moments define the arrangement's character, so use them to build intensity and shape the overall arc.
• Balance lead trumpet range up to written B above the staff carefully. Designate a capable lead player and give them early access to the part so intonation and endurance can be developed without rushing the ensemble rehearsal process.

Program this on a jazz concert where you want to showcase both ensemble tightness and individual soloist development. The four-minute-forty-five-second length works well alongside shorter uptempo charts and longer ballads, making it an ideal centerpiece for a mixed-repertoire jazz set.

• Medium swing articulation and phrasing at 134 BPM
• Lead trumpet range navigation (written B above the staff) with intonation control
• Ensemble balance in saxophone soli and section voicings
• Dynamic contrast and sectional intensity in shout chorus writing
• Solo navigation over jazz changes (trumpet 2, alto 1, tenor 1, trombone 1)
• Rhythm section groove and pocket development in medium swing