My Lord, What a Morning Cover Image

My Lord, What a Morning: Brass Band Conductor Score & Parts

$35.00 USD
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My Lord, What a Morning Cover Image

My Lord, What a Morning: Brass Band Conductor Score & Parts

Traditional / arr. David Marlatt

Level: Easy-Medium

Item: 81-BB2211

$35.00
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Description
This is another great Spiritual. The arrangement opens with the unaccompanied b-flat soloist, adds the trombones playing soft chords then builds through the band to create a lush, rich sound. This is an ideal ensemble piece to develop blend, balance and intonation.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-661-1
ISBN13: 978-1-55472-661-5
UPC: 685462000128
SKU: 81-BB2211

More about this title

Why we love this

Marlatt's arrangement respects the spiritual's emotional core while giving brass bands a clear structural arc to execute. The solo opening and gradual tutti build create natural rehearsal points where you can isolate blend work, making this equally valuable as a programming piece and a teaching tool.

What to expect

The arrangement unfolds with quiet dignity, beginning as intimate solo prayer and gradually widening into a communal affirmation. By the time the full band sounds, the spiritual's character is present in every voice, creating warmth without bombast.

Who it's for

Brass bands seeking accessible yet musically substantial sacred repertoire that doubles as an ensemble development piece. This works for conductors who want to program spirituals without requiring vocal soloists, and for groups ready to refine intonation and balance across a full brass texture.

How to get the most out of it

  • Balance the opening unaccompanied B-flat solo against the room acoustics; have that soloist play with confidence and clear tone so the entrance lands without strain.
  • Shape the trombone chords as soft, sustained support; avoid letting them dominate once the full band enters, treating them as harmonic foundation rather than melodic accompaniment.
  • Listen across the band during the build to the lush sound described in the arrangement; conductors should cue sectional entries clearly so blend happens by design, not accident.

How to use it

This pairs well on a concert alongside other spirituals or sacred works, offering a brass band interpretation that stands alongside choral traditions. It also fits naturally into festival and contest programs at the Easy-Medium level, where judges can assess both musicianship and arrangement quality.

Skills your students will build

  • Blending sustained chords across the ensemble
  • Balancing solo and accompaniment textures
  • Responding to dynamic control across a gradual crescendo
  • Intonation stability in slow, exposed passages

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