My Immortal (arr. Martin Cornelissen) Sheet Music Preview

My Immortal (arr. Martin Cornelissen): SAB Choral Octavo

As performed by Evanescence / Arranged by Martin Cornelissen

Item: 35-DS00487064

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Additional Details
Publisher: Hal Leonard
Page Count: 105
SKU: 35-DS00487064

More about this title

About the Artist: Evanescence

Evanescence emerged in the early 2000s as a defining force in alternative metal and gothic rock. Led by Amy Lee's powerful mezzo soprano and the band's atmospheric arrangements, the group crafted stadium-filling songs that blended orchestral elements with heavy instrumentation, earning multiple Grammy Awards and platinum certifications. Their work reshaped what rock vocals could convey: both technically demanding and emotionally vulnerable.

Why we love this

Martin Cornelissen's SAB arrangement honors the song's iconic vulnerability while making it genuinely singable across three voices. The arrangement retains the haunting minor-key sensibility that drew millions to the original without requiring the stratospheric soprano line, giving alto and tenor singers their own compelling material rather than relegating them to filler parts.

What to expect

Haunting and introspective, with the kind of minor-key restraint that lets sadness breathe. The piece pulls you inward before it builds, creating the emotional arc that made the original unforgettable.

Who it's for

Choirs seeking contemporary repertoire that resonates with students without sacrificing musicianship will find a strong match here. This works for programs balancing classical foundations with pop and rock arrangements that audiences actually know.

How to get the most out of it

  • Protect the legit vulnerability here. Your singers don't need to belt this into submission; the power comes from emotional clarity and controlled breath support through the longer phrases.
  • Track the harmonic movement carefully in rehearsal. The minor tonality can blur together if voices don't lock onto their individual lines with precision.
  • Balance Lee's accessibility with the song's inherent drama. A mezzo or alto carrying the melody will naturally sit differently than the original soprano voicing, which changes how the song sits emotionally for your ensemble.

How to use it

Consider this a gateway into more ambitious pop arrangements. It pairs well with a concert exploring how contemporary songwriting intersects with classical form, or as a contrast piece in a program otherwise built from traditional choral repertoire. The 105-page score suggests this deserves rehearsal time as a centerpiece rather than an opener.

Skills your students will build

  • Sustaining tone through longer phrases in a minor key without losing pitch stability
  • Blending three independent lines while maintaining clarity of melody
  • Interpreting contemporary vocal writing with dynamic restraint
  • Managing the emotional weight of material that asks for authenticity rather than technical display

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