My Funny Valentine Sheet Music Preview

My Funny Valentine: SATB Choral Octavo

Arr. Teena Chinn

Item: 00-PO-0002527

Digital Download
$2.25

Minimum order quantity: 20 copies

One moment…

Description
One of the most well-known of the hit songs from the songwriting duo of Richard Rodgers and Lorenz Hart was featured on Broadway as well in several feature films. Teena Chinn brings us an easy-to-sing "a cappela" setting.

My Funny Valentine: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0002527

More about this title

About the Arranger: Teena Chinn

Teena Chinn is an accomplished arranger known for her work in choral music education, particularly her arrangements for the Alfred Pop Choral Series. Her settings emphasize accessibility and musicality, making contemporary and classic repertoire singable for high school and community choirs without sacrificing artistry.

Why we love this

Chinn's a cappella setting strips away the lush orchestration and gives your singers room to shine on one of American musical theater's most elegant melodies. The accessible voicing means even less experienced choirs can tackle this jazz standard with confidence, while the intimate texture elevates what could be a gimmick into a genuinely affecting performance moment.

What to expect

A tender, intimate moment captured in close harmony. The a cappella texture creates an exposed vulnerability that mirrors the song's affectionate humor and romantic vulnerability, drawing the listener into a conversation rather than a polished performance.

Who it's for

High school and community choirs seeking repertoire that showcases musicianship without technical barriers. Directors looking for a sentimental standard that sits well in student voices and connects audiences to the golden age of American songwriting.

How to get the most out of it

  • Balance the melody line so it floats above the supporting voices rather than anchoring itself to the sopranos; think transparency over weight.
  • Rehearse the harmonic foundation (alto, tenor, bass parts) separately until they lock in independently, then layer the soprano line on top.
  • Shape the phrase arcs according to the lyrical content, letting the sentiment of "with your funny face" guide your dynamics and phrasing choices.
  • Without instrumental support, sustain tone quality becomes paramount; emphasize vowel consistency and breath control throughout held passages.

How to use it

This works beautifully as a concert-closing piece or as the emotional centerpiece of a Broadway-themed concert. Its brevity and accessibility make it ideal for adding a sophisticated touch to a program dominated by higher-energy pop arrangements.

Skills your students will build

  • Balancing soprano melody against supporting harmonies in a cappella texture
  • Sustaining pure vowels and tone quality without instrumental reinforcement
  • Shaping musical phrases to serve the lyrical content and emotional arc
  • Hearing and singing jazz-influenced harmonic progressions with accuracy

You May Also Like