My Foolish Heart (arr. Kirby Shaw) Sheet Music Preview

My Foolish Heart (arr. Kirby Shaw): SATB Choral Octavo

By Ned Washington Victor Young / As performed by Demensions / Arranged by Kirby Shaw

Item: 35-DS01295217

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS01295217

More about this title

About the Composer: Ned Washington Victor Young

Ned Washington (1901-1976) was a lyricist whose career spanned from the 1920s through the 1960s, earning him a place among Hollywood's most prolific songwriters. He crafted lyrics for dozens of standards, including compositions with Victor Young and others, and his words became embedded in the Great American Songbook through both film and radio.

Victor Young (1900-1956) was a composer and conductor whose film scores and popular compositions defined the lush orchestral sound of mid-century America. Young's gift for melody and harmonic sophistication made him a natural collaborator with lyricists like Washington, and his work across classical, film, and popular music demonstrated remarkable versatility.

Why we love this

Kirby Shaw's arrangement captures the wistful elegance of this standard without losing the song's emotional core. The writing sits comfortably for developing singers while offering enough harmonic interest to keep skilled ensembles engaged, making it equally valuable for a concert program or a jazz-focused cabaret.

What to expect

Tender and introspective, with the gentle melancholy of a late-night confession. The harmonies shimmer with jazz sensibility while remaining grounded in the vulnerability of the lyric.

Who it's for

Jazz choir directors seeking accessible yet sophisticated repertoire, and any ensemble ready to explore the jazz standard tradition through a choral lens. Works equally well for high school advanced groups or college singers looking to broaden their jazz vocabulary.

How to get the most out of it

  • Balance the inner voices carefully in the harmonic passages; sopranos and altos should support without drowning out the tenor and bass lines that carry crucial melodic counterpoint.
  • Shape the phrase lengths with rubato in mind, letting the natural speech rhythm of the lyrics guide your tempos rather than locking to a rigid click.
  • Treat the dynamic markings as emotional signposts rather than technical instructions, allowing the text and harmonic movement to inform when the sound should swell or pull back.

How to use it

Pair this with other Shaw arrangements to build a cohesive jazz suite, or program it as a solo feature to showcase your ensemble's ability to handle intimacy and control. It works particularly well in the second half of a concert where the audience has settled in and is ready for something reflective.

Skills your students will build

  • Voice leading through jazz chord progressions
  • Balancing blend while maintaining individual line independence
  • Shaping phrasing through harmonic function rather than written notation
  • Interpreting lyrics with emotional authenticity in a choral setting

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