My Feet Are Tired, But My Soul Is Resting (arr. Shawn Kirchner) Sheet Music Preview

My Feet Are Tired, But My Soul Is Resting (arr. Shawn Kirchner): SATB Choral Octavo

By Frances Smith Thomas / Arranged by Shawn Kirchner

Item: 35-DS00481935

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00481935

More about this title

Why we love this

Kirchner's arrangement finds the spiritual depth in Thomas's text without leaning into sentimentality. The SATB writing sits comfortably for mixed ensembles while preserving moments of genuine vulnerability that will move both singers and listeners.

What to expect

A quiet conversation with yourself at the end of a long day, when exhaustion gives way to something deeper and steadier. The music moves between contemplation and gentle affirmation, never forcing the message but letting it settle naturally.

Who it's for

Choirs seeking repertoire that speaks to resilience and faith without requiring soloists or specialized voices. This works equally well in secular concert settings and worship contexts.

How to get the most out of it

  • Balance the text's dual message by differentiating dynamics between the physical fatigue described in the opening phrases and the spiritual peace that emerges as the piece unfolds.
  • Pay attention to how Kirchner sets the harmonic language; let subtle shifts in chord color guide your interpretation rather than relying on dramatic tempo changes.
  • Support the soprano line through moments where it carries the melodic weight, ensuring it doesn't get buried by the harmonic foundation below.

How to use it

Consider programming this as a reflective counterpoint to more energetic spiritual arrangements, or as the centerpiece of a concert devoted to contemporary sacred texts. Its modest scale and eight-page length make it ideal for inclusion in diverse programs without dominating rehearsal time.

Skills your students will build

  • Sustained legit singing within a moderate range
  • Balancing introspective dynamics across all four voice parts
  • Interpreting text-driven harmonic shifts
  • Blending contemporary arranging language with traditional SATB voice leading

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