My Favorite Things (from The Sound Of Music) (arr. Roger Emerson) Sheet Music Preview

My Favorite Things (from The Sound Of Music) (arr. Roger Emerson): 3-Part Mixed Choral Octavo

Arranged by Roger Emerson

Item: 35-DS00449856

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00449856

More about this title

About the Arranger: Roger Emerson

Roger Emerson is a prolific choral arranger whose work spans jazz, pop, and musical theatre repertoire. His arrangements are known for their accessibility across ability levels, making contemporary and classic material singable for high school and community choirs without sacrificing musicality or style.

Why we love this

Emerson's take on this Rodgers and Hammerstein standard captures the spirited warmth of the original while tailoring it specifically for three-part mixed voices. The arrangement avoids clunky voicing compromises; instead, it reimagines the tune with jazz sensibilities that feel fresh even though the song is a beloved holiday standard.

What to expect

Warmth and nostalgia meet playful swingtime groove. The arrangement honors the song's optimistic spirit while introducing enough rhythmic energy to keep singers engaged and audiences attentive.

Who it's for

Choirs seeking a jazz-inflected holiday arrangement that works for mixed voices without requiring extensive soloists or divisi parts. This is especially useful for ensembles building a holiday concert that needs contemporary-styled material alongside traditional fare.

How to get the most out of it

  • Balance the melody across your three parts so no single voice dominates the landscape. This arrangement likely distributes the tune across sections, so rehearse transitions carefully.
  • Pay attention to rhythmic precision if the arrangement swings or uses syncopation. The jazz idiom demands tighter ensemble work than straight ballad singing.
  • The recorded accompaniment (if included) should support ensemble bonding early on. Use it in sectionals to lock each part's contour before balancing voices together.
  • Communicate the text with clarity. Familiarity with the melody can lead singers to coast on autopilot; encourage them to land each phrase with intention.

How to use it

Pair this with other jazz-arranged standards or musical theatre selections to shape a cohesive holiday set. Its thirteen pages and three-part voicing make it manageable as a mid-program lightener or a crowd-pleasing finale that doesn't demand substantial additional rehearsal time.

Skills your students will build

  • Jazz phrasing and swing articulation
  • Balancing three-part harmony without losing the primary melody
  • Interpreting rhythmic notation specific to jazz idiom
  • Blending voice parts across a four-to-five-minute piece

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