My Favorite Things (from The Sound of Music): String Orchestra Conductor Score & Parts
As performed by Chicago / As performed by Lorrie Morgan / As performed by Richard Rodgers / As performed by Oscar Hammerstein II / Arranged by Lloyd Conley
Grade: 2-3
Item: 35-PK00319919
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| My Favorite Things - Full Score | $6.00 | |
| My Favorite Things - Violin 1 | $7.00 | |
| My Favorite Things - Violin 2 | $7.00 | |
| My Favorite Things - Violin 3 (Viola T.C.) | $7.00 | |
| My Favorite Things - Viola | $7.00 | |
| My Favorite Things - Cello | $7.00 | |
| My Favorite Things - String Bass | $7.00 | |
| My Favorite Things - Piano | $7.00 |
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More about this title
About the Artist: Chicago
Chicago rose to prominence in the late 1960s as one of rock music's most technically sophisticated ensembles, bringing horn sections and complex arrangements into the mainstream rock vocabulary. Their willingness to interpret standards and popular songs with instrumental sophistication made them natural interpreters of material like 'My Favorite Things,' demonstrating that rock and orchestral traditions could coexist in exciting ways.
Why we love this
Conley's arrangement captures the warmth of this beloved Rodgers and Hammerstein melody while using it as a teaching vehicle for foundational rhythmic concepts in triple meter. The early-intermediate grade level makes this accessible to developing ensembles without sacrificing musicality, and the moderate duration keeps rehearsal time reasonable during the busy holiday season.
What to expect
Warm and nostalgic, with the gentle lilt that defines 3/4 meter at its most inviting. This arrangement honors the melody's inherent singability while the string textures add gentle sophistication, creating something that sounds rehearsed and musical even early in the learning process.
Who it's for
String orchestras at the middle school level and developing high school programs looking for repertoire that teaches metric fundamentals without sounding pedagogical. Directors seeking accessible holiday material that reinforces 3/4 meter concepts will find this particularly useful during winter concert preparation.
How to get the most out of it
- Establish a clear pulse in the conductor's preparation before measure one. Entrances after rests on beat one require absolute clarity from your downbeat.
- Balance the melody between first violins and any doubling voices. The familiarity of this tune invites soloistic playing, but ensemble blend matters more than individuality here.
- Shape the phrases with gentle dynamic swells rather than rigid dynamic changes. Conley's setting favors legato string writing, so reward smooth bow changes with modest volume breathing.
- Drill the rhythmic patterns that feature rests on beat one in isolation. Have students tap and count these figures separately before integrating them into full rehearsal.
How to use it
Consider opening a holiday concert with this piece to establish an accessible, audience-friendly energy before moving into more challenging repertoire. Its moderate length works well as a palate cleanser between weightier selections, and the combination of musical reward and pedagogical value makes it valuable during the latter half of fall rehearsals.
Skills your students will build
- Reading and performing 3/4 meter with accuracy
- Rhythmic patterns incorporating rests on beat one
- Legato string articulation and bow control
- Ensemble balance in tonal blending
- Phrase shaping through dynamic nuance