My Favorite Things (from The Sound of Music): Flex Ensemble Conductor Score & Parts
As performed by Lorrie Morgan / Arranged by Robert Buckley
Grade: 2-3
Item: 35-PK00294888
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Description
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More about this title
About the Artist: Lorrie Morgan
Lorrie Morgan built her career on the foundation of country music royalty, as the daughter of George Morgan, but carved her own distinctive path as a vocalist and recording artist. Her interpretations of classic American songs brought warmth and authenticity to both traditional and contemporary material, making her a respected voice across multiple genres.
Why we love this
Buckley's arrangement respects the melody's singability while introducing sophisticated harmonic movement that keeps the ensemble engaged. The flexible instrumentation means you can actually perform this at full strength or adapt it to whatever players show up on concert day, which matters far more than most arrangements acknowledge.
What to expect
Elegant and nostalgic, with the comfort of a beloved melody wrapped in thoughtful orchestration. The arrangement has a graceful quality that feels both festive and refined, never cloying despite the holiday context.
Who it's for
Conductors looking for accessible holiday repertoire that sounds polished without demanding advanced technique from their players. This works equally well for community bands, school ensembles, or mixed instrumental groups that want Broadway flavor without the complex divisi writing.
How to get the most out of it
- Balance the melody against the accompaniment by letting the lead voice emerge naturally rather than pushing volume; the tune is strong enough to speak for itself without forcing.
- Mark the phrase contours in your parts before rehearsal so the ensemble understands where the line breathes and can shape it together.
- Take the tempo at a comfortable walking pace rather than rushing; at 2:50, there is room to let the arrangement unfold without dragging.
- Pay attention to how the flexible scoring handles doublings; your instrumentation choices will reshape the color, so experiment during early rehearsals to find what works for your group.
How to use it
Slot this into a December concert where you need a crowd-pleasing centerpiece that bridges classical and popular sensibilities. It also works as an accessible encore or as part of a multi-arrangement medley exploring different approaches to standard repertoire.
Skills your students will build
- Balancing melodic and harmonic roles within flexible instrumentation
- Shaping lyrical phrasing across varied ensemble textures
- Adapting part assignments based on available players
- Maintaining steady tempo across a moderate length arrangement