My Favorite Things Sheet Music Preview

My Favorite Things: E-Z Play Today

As performed by Rodgers & Hammerstein

Item: 35-DS00400170

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$4.99
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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00400170

More about this title

About the Artist: Rodgers & Hammerstein

Richard Rodgers and Oscar Hammerstein II shaped American musical theater through their landmark collaborations on shows including Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music. Rodgers composed melodies of remarkable singability and harmonic sophistication, while Hammerstein crafted lyrics that served the dramatic arc of each story. Together they established the integrated musical as the dominant form on Broadway, where character, plot, and song moved as one.

Why we love this

This standout from The Sound of Music translates beautifully to solo piano. The melody is instantly recognizable and sits comfortably on the keyboard, making it accessible for intermediate players while offering enough harmonic richness to stay musically engaging. It's the kind of song that rewards expressive playing without demanding virtuosity.

What to expect

A moment of pure contentment and optimism. The melody unfolds with gentle charm, and the harmony supports it with warmth and clarity. This is music that invites smiling while you play it.

Who it's for

Intermediate pianists looking for a genuine Broadway standard that doesn't require advanced technique. Music teachers seeking repertoire that builds musicality alongside straightforward note-reading. Students discovering classic musical theater through accessible arrangements.

How to get the most out of it

  • Let the main melody sing above the accompaniment. Even though this is a two-page arrangement, the tune should remain prominent and never get buried.
  • Shape phrases with subtle tempo flexibility. A slight ease forward into the bridge and a gentle return to tempo creates breathing room without sounding rushed.
  • Pedal thoughtfully to enhance the waltz-like character without muddying the harmonic changes. Clear releases between phrases keep the texture transparent.
  • Play with warmth in the lower register during accompaniment figures. This supports the melody and creates a fuller, more orchestral sound.

How to use it

Pair this with other Rodgers and Hammerstein selections for a Broadway showcase concert, or use it as a transition piece in a program mixing classical and contemporary repertoire. It works equally well as a recital selection or as an entertaining finale for a casual performance.

Skills your students will build

  • Singing a cantabile melody over moving accompaniment
  • Managing tempo and phrasing within a familiar harmonic structure
  • Pedal control in a romantic style arrangement
  • Expression and interpretation of a well-known tune

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