My Favorite Things: SSA Choral Octavo

Mitos Andaya's arrangement captures the warmth and accessibility of this beloved standard while giving SSA voicing the sophistication it deserves. The jazz inflections feel natural to the song without overwhelming singers still building their stylistic range, making it equally effective in concert or pops contexts.

Optimistic and introspective at once. The melody unfolds with the familiar ease of a song everyone almost knows, while the harmonies add depth and color that reveal new details with each listen. There's joy in simplicity here, combined with genuine musical sophistication.

Any choir that can sustain three-part harmony and navigate basic jazz inflections will find this arrangement both achievable and rewarding. It works beautifully for mixed-age ensembles and secondary choirs looking to expand into jazz and Broadway styles.

• Balance the melody across your soprano section; the familiar tune carries the performance, so resist the urge to let inner parts dominate even when the writing is lovely.
• Lean into the jazz harmony with flexible, conversational phrasing rather than strict metric precision. The swing feel should feel earned, not imposed.
• Support rhythmic cohesion with a clear pulse from accompaniment; younger singers often lock into the groove more easily when they can feel a steady foundation underneath.
• Let the text breathe. The lyrical simplicity invites genuine emotional delivery, which matters more here than technical display.

This belongs on a jazz or pops concert where it can anchor a set of Broadway standards, or on a spring concert as a palate cleanser between heavier classical work. The arrangement's accessibility also makes it valuable for community or outreach performances.

• Jazz articulation and phrasing
• Reading jazz harmony (including 7th chords and extensions)
• Singing in swing style
• Three-part SSA voicing independence
• Stylistic interpretation across multiple genres