My Dear Redeemer, Lord And King Sheet Music Preview

My Dear Redeemer, Lord And King: SATB Choral Octavo

By Lowell Alexander / By Orrin Hatch / Arranged by Robert Sterling

Item: 35-DS00249692

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00249692

More about this title

About the Composer: Lowell Alexander

Lowell Alexander composed throughout the twentieth century, contributing substantially to the sacred choral repertoire with works that balance accessibility with musical substance. His settings of hymn texts and devotional material have found their way into countless church programs and concert seasons, valued for their clarity of voice leading and respect for the text.

Why we love this

This arrangement gives you a straightforward, singable setting of a beloved hymn text without sacrificing musical interest. The seven pages move at a natural pace, making it realistic for groups with limited rehearsal time while still offering enough harmonic color to engage your singers and audience.

What to expect

The music carries the quiet dignity appropriate to the hymn text, with harmonies that feel both traditional and warmly crafted. There is an emotional openness here that invites singers to commit fully to the message without theatrical excess.

Who it's for

Choirs ranging from community and church ensembles to high school concert choirs will find this accessible and rewarding. It works equally well as a concert closer or a service anthem, depending on your programming context.

How to get the most out of it

  • Shape each phrase toward its natural cadential point rather than treating the hymn as a series of equal units; this creates forward momentum even at modest tempos.
  • Balance the soprano line carefully in stanzas where it carries the main melody; the other voices need clarity without swallowing the tune.
  • Let the text dictate your approach to dynamics and phrasing. Sacred texts benefit from a conversational quality that avoids mechanical repetition.

How to use it

Consider placing this as a reflective moment in a concert program, particularly if you are building a set around sacred or seasonal repertoire. It also serves effectively as an offertory or recessional in worship contexts, where its modest length and clear harmonic language allow congregational participation if desired.

Skills your students will build

  • Blending vowels across four independent voice parts
  • Sustaining legit tone through longer phrases in hymn arrangement
  • Responding to text as the primary shaper of musical interpretation
  • Reading straightforward four-part harmony with occasional chromatic voice leading

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