My Buddy: Jazz Ensemble Conductor Score & Parts

Dave Wolpe's arrangement positions the trombone section as the star, giving all three bone players substantial written solos that showcase range and personality without demanding virtuosity beyond Grade 3 reach. The swing waltz groove is instantly appealing and sits naturally under the bones' voices, making this both musically satisfying to perform and genuinely fun to hear.

A relaxed, good-natured swing waltz that breathes like a conversation between the bones and the rest of the band. The energy is friendly and unpressured, with the kind of melodic charm that makes listeners smile even on first hearing.

Directors working with Grade 3 jazz ensembles who want to feature their trombone section and need a vehicle that's musically rewarding without overwhelming less experienced players. This is also ideal for students developing solo confidence, since each bone player gets a moment in the spotlight with clear, idiomatic writing.

• Balance the waltz time signature with straight eighth notes in the rhythm section so the groove feels relaxed rather than stiff; the swing should sit slightly behind the beat.
• Give the trombone soloists space to breathe and phrase expressively. These written lines are opportunities to develop individual voice, not just read notes in time.
• Anchor the ensemble sound in a warm, rounded low brass foundation; let the trombones' solos float over that base rather than compete with it.
• Work the lead trumpet's upper range (written A) in sectionals before full ensemble rehearsals so the section feels secure at the top of the staff.

Slot this into a concert program as a mid-set palate cleanser that highlights your brass section's musicality and character. It works equally well as a feature piece in a jazz-focused concert or as one selection in a mixed jazz program that includes standards and contemporary arrangements.

• Playing authentic swing eighth-note feel in a waltz meter
• Reading and executing written solo passages with appropriate phrasing
• Balancing ensemble support with featured solo section
• Navigating moderate upper register demands (trumpet to written A, trombone to A)