Must Have Been Angels Cover Image

Must Have Been Angels: Choral Octavo SoundTrax CD

$21.95 USD
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Must Have Been Angels Cover Image

Must Have Been Angels: Choral Octavo SoundTrax CD

Words and music by Wayne Tester and Linda Thompson / arr. Teena Chinn

Item: 00-SCM04002CD

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Description
Styled for contemporary worship and perfect for praise teams as well as full-blown choruses, this song has been made famous by Kristy Starling, winner of the NBC "Today's Superstar" contest. The text speaks of God's presence in our daily lives: "When my soul was in pain, more loss than gain, an angel spoke my name. It must have been angels who carried me . . . It must have been angels watching over me."

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Additional Details
Series: Belwin Contemporary Church Series
Publisher: Alfred Music
UPC: 654979078005
SKU: 00-SCM04002CD

More about this title

Why we love this

Teena Chinn's arrangement captures the warmth of contemporary worship without sacrificing musical substance. The SoundTrax CD gives your singers a secure foundation to build confidence, especially valuable when introducing the piece or working with less experienced ensembles.

What to expect

Uplifting and reflective, grounded in the minor-key vulnerability of suffering before building toward assured hope. The arrangement meets contemporary worship sensibilities with warm harmony and a melody that invites personal connection.

Who it's for

Worship leaders, praise teams, and church choirs of any size looking for repertoire that speaks authentically to faith while remaining accessible. This piece works equally well for choral concerts in school or community settings with a sacred music focus.

How to get the most out of it

  • Blend the recorded accompaniment with your choir's sound during early rehearsals; as confidence grows, gradually reduce the volume so singers rely more on their own ears and fewer on the track.
  • Shape the phrase "It must have been angels" with slight breath points and dynamic lift to highlight the theological turning point in the text.
  • Balance the choir's vertical blend against the harmonic movement in the accompaniment; the recording will expose tuning issues, so use it as a teaching tool for intonation work.
  • Mark emotional peaks in your score and rehearse them separately so the choir understands where and why the energy should swell.

How to use it

Ideal for Thanksgiving or Easter services, or as a centerpiece in a sacred choral concert exploring themes of divine presence and protection. The recorded accompaniment makes this accessible for programs needing quick rehearsal turnarounds without compromising musical impact.

Skills your students will build

  • singing in contemporary worship style with rhythmic flexibility
  • tuning and balancing within four-part harmony
  • responding to recorded accompaniments with independence and blend
  • interpreting text-driven phrasing and emotional arc

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