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Musical Doodles (Deutsche Ausgabe): Student Activity Musical Composition Book

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Musical Doodles (Deutsche Ausgabe) Cover Image

Musical Doodles (Deutsche Ausgabe): Student Activity Musical Composition Book

By Paul Harris / Ill. Bill Jones

Item: 12-0571543537

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Description
Komponieren macht Spaß! Das zeigt Musical Doodles auf ganz neue Weise. Oft gilt das Schreiben von Musik als kompliziert und regelbeladen oder wird gleich vollständig von Computerprogrammen erledigt. Paul Harris geht mit diesem inspirierenden Buch einen anderen Weg: Er lädt dazu ein, die Freude am handschriftlichen Notieren von Musik zu entdecken, und zwar mit musikalischen Doodles, die zum freien und fantasievollen Komponieren anregen.
Die Ausgabe wurde vom britischen Künstler Bill Jones illustriert. Musical Doodles ist für jedes Instrument auch jede Singstimme geeignet. Alle Übungen sind in C-Dur notiert, doch wer mag, kann eine andere Tonart wählen. Regeln gibt es hier keine. Vielmehr werden spielerisch und kreativ grundlegende Elemente des Komponierens eingeführt: Musik zu komponieren ist eine ganz natürliche Form des menschlichen Ausdrucks. Dieses Buch ermutigt dazu, Stücke zu schreiben, die zur eigenen Stimme, zum eigenen Instrument und zur eigenen Fantasie passen. Einfach loslegen und vor allem: Spaß haben!

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Additional Details
Series: Harris/Jones
Publisher: Faber Music
Page Count: 40
ISBN10: 0-57154-353-7
ISBN13: 978-0-57154-353-3
UPC: 9780571543533
SKU: 12-0571543537

More about this title

About the Author: Paul Harris

Paul Harris

Paul Harris trained at the Royal Academy of Music and the University of London before becoming one of Britain's most influential music educators. His catalog includes over 500 publications, among them the widely adopted Improve your teaching! and Improve your sight-reading! series, and he continues to develop Simultaneous Learning, an internationally recognized approach to instrumental and vocal instruction that balances rigor with creative discovery.

Harris is known for workshop leadership across the UK, USA, and Asia, and his writing on music pedagogy appears regularly in education journals. His work is distinguished by the integration of thoroughness, imagination, and practical classroom application. Published by Faber Music, his ideas have shaped how teachers at all levels approach student musicianship.

Why we love this

Harris strips away the intimidation that often surrounds composition for young musicians and replaces it with genuine joy and creative permission. The doodle-based structure makes composition tactile and immediate—students aren't learning abstract theory in isolation but discovering how melody, rhythm, and harmony work by actually writing and hearing their own ideas. The illustrations by Bill Jones make the book visually inviting, turning what could be a worksheet into something students actually want to pick up.

What to expect

Opening this book feels like being invited to play rather than to work. The page layouts are inviting and often humorous, with Bill Jones's illustrations creating a sense that composition is a natural, joyful conversation between you and the page. There is no pressure, no right or wrong answer, just the pleasure of putting sound into notation for the first time.

Who it's for

This book serves any student musician or singer who is curious about writing music but has never done so before. It works equally well in general music classrooms, private lessons, ensemble rehearsals, or as independent creative work for students at any instrument or voice type.

How to get the most out of it

  • Encourage students to write in their preferred key rather than forcing C major; the notation is C major for accessibility, but transposing to a comfortable key removes barriers and deepens ownership of the work.
  • Play or sing completed doodles aloud immediately after writing them; hearing the result instantly reinforces the connection between notation and sound.
  • Create a classroom culture where finished doodles are celebrated without critique; the goal is confidence and expression, not perfection.

How to use it

Use this as a foundation-building resource before teaching formal composition or songwriting units; students gain fluency and confidence through play before engaging with structure. It pairs well with any classroom or private lesson setting where students need to see that their own musical ideas matter and deserve to exist on paper. Consider assigning one doodle per week across an entire term to build habit and voice.

Skills your students will build

  • Writing melodic shapes and phrases without predetermined rules
  • Notating basic rhythmic patterns by hand
  • Understanding how melody and rhythm work together on the staff
  • Developing personal creative voice through freeform composition
  • Building confidence in music notation as a tool for expression rather than an obstacle

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