Música de Navidad, Book 4 Cover Image

Música de Navidad, Book 4: Piano Book

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Música de Navidad, Book 4 Cover Image

Música de Navidad, Book 4: Piano Book

7 Late Intermediate Christmas Piano Arrangements in Latin American Styles

Arranged by Wynn-Anne Rossi

Level: Late Intermediate

Item: 00-47019

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Description
In the Música de Navidad series, students experience the rhythms, styles, and musical characteristics of Latin American music while exploring the holiday traditions of this part of the world. Each piece begins with a short rhythm exercise that prepares students for the rhythm patterns featured in the arrangement. Familiar Christmas carols are creatively given a Latin American flair, and some traditional Mexican and Andalusian carols are included as well. Brief descriptions of Latin American Christmas traditions help to spark the imagination of the performers. Book 4 is arranged for students at the late intermediate level.

Titles: 25 de diciembre, fum, fum, fum (Fum, Fum, Fum on December 25th) * Auld Lang Syne (Auld Lang Syne) * Feliz Navidad deseamos (We Wish You a Merry Christmas) * Noche de paz (Silent Night) * Oh ven, oh ven Emmanuel (O Come, O Come Emmanuel) * Los peces en el río (The Fish in the River) * Vi tres buques a la vela (I Saw Three Ships).

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Additional Details
Series: Música Latina
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-4037-6
ISBN13: 978-1-4706-4037-8
UPC: 038081539928
SKU: 00-47019

More about this title

About the Arranger: Wynn-Anne Rossi

Wynn-Anne Rossi is a composer and arranger with deep expertise in world music and culturally responsive music education. Her work centers on making authentic musical traditions accessible to students while honoring the cultural contexts from which they emerge.

Why we love this

Rossi's arrangements do something rare: they teach Latin American musical vocabulary without sacrificing the integrity of the source material. Each piece includes a preparatory rhythm exercise that builds real competency, not just familiarity, so students develop genuine musicianship rather than surface-level familiarity with the style.

What to expect

These arrangements infuse well-known carols with the warmth and infectious rhythmic vitality of Latin American traditions. You'll feel the shift from predictable harmonic patterns into syncopated grooves and modal inflections that make each piece feel both recognizable and refreshingly alive.

Who it's for

Piano students at the late intermediate level who are ready to expand beyond European classical traditions and explore how familiar melodies transform across cultures. This book suits recital preparation, holiday programming, or any pianist seeking repertoire that combines accessibility with genuine musical substance.

How to get the most out of it

  • Begin each practice session with the rhythm exercise provided at the start of each piece. These warm-ups isolate the exact patterns you'll encounter, making the arrangement itself feel more natural when you reach it.
  • Pay close attention to the syncopation and off-beat accents characteristic of Latin rhythms. Mark these in your score to ensure they sit confidently under your fingers.
  • Use the cultural context notes to inform your phrasing and tempo decisions. Understanding how these carols function in Latin American Christmas celebrations shapes how you shape rubato and dynamics.
  • Record yourself playing through each arrangement. Listening back helps you hear whether the Latin character comes through clearly or if the rhythmic drive is getting lost in the harmonic progression.

How to use it

Program Book 4 for winter recitals that celebrate cultural diversity or as the centerpiece of a holiday concert that branches beyond Anglo-American carol traditions. It works equally well as a bridge unit in a curriculum exploring world music, allowing students to apply their technical skills to repertoire with immediate cultural resonance.

Skills your students will build

  • Syncopated rhythm reading and execution in late intermediate contexts
  • Latin American rhythmic patterns including clave, tumbao, and off-beat accompaniment figures
  • Harmonic awareness across multiple musical traditions
  • Cultural context as a tool for interpretive decision-making
  • Confidence performing music outside the European classical canon

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