Music of My Heart Cover Image

Music of My Heart: Jazz Ensemble Conductor Score

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Music of My Heart Cover Image

Music of My Heart: Jazz Ensemble Conductor Score

Arr. Mike Lewis

Grade: 2 (Medium Easy)

Item: 00-JEM00039C

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Description
*NSYNC and Gloria Estefan teamed up to record this song from the movie Music of the Heart. Arranger Mike Lewis captures this great pop hit by scoring it for the younger jazz ensemble player, keeping the beautiful melody and harmonies yet making the rhythms easily playable by young students. Modest brass ranges with trumpet and trombone to D, an alto sax solo, and a big modulation make this one an outstanding pop chart. This could be your showstopper since everyone in the band and the audience will recognize the song. You can easily teach the pop rhythms, and with flexible instrumentation and optional parts, this chart will sound full even with a minimum number of players.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 12
UPC: 654979179719
SKU: 00-JEM00039C

More about this title

Why we love this

Mike Lewis has arranged this pop crossover with genuine respect for what makes the original song memorable. He understands the teaching priority: young ensemble players get to play something the audience actually knows, with rhythms they can master quickly, and brass parts that sit comfortably in the staff. The modulation lifts the energy without requiring advanced technique, making it genuinely fun to rehearse and perform.

What to expect

Warm and accessible, with the pop sensibility of the original song shining through clearly. The arrangement opens up space for young players to sit comfortably in their ranges while still delivering the harmonies and melody people came to hear.

Who it's for

Grade 2 jazz ensemble directors working with younger or developing players who need accessible material with genuine appeal. Students benefit from playing an arrangement that balances immediate recognizability with achievable technical demands, making the learning process feel rewarding from rehearsal one.

How to get the most out of it

  • Emphasize the swing feel in the rhythm section to keep the groove laid-back rather than rigid. Young players often rush pop charts when they're excited.
  • Balance the alto sax solo in the high register so it projects without overwhelming the ensemble. If you have a strong player, let them own that moment.
  • Hit the modulation as a full ensemble shift in energy and dynamic. Rehearse the transition point separately so it feels intentional, not accidental.
  • Keep the melody singing even in the background parts. The beauty of this arrangement is that every section contributes to the overall line.

How to use it

This works beautifully as a spring concert closer or a feature on a jazz showcase where you want audience connection without sacrificing musical integrity. Pair it with one ballad and one uptempo swing chart for a well-rounded set that shows your ensemble's range.

Skills your students will build

  • Reading and executing pop rhythm figures (syncopation, swing eighth notes)
  • Balancing improvisation and section unison (the alto sax solo against ensemble parts)
  • Navigating key modulation and maintaining ensemble cohesion through tonal shifts
  • Controlling trumpet and trombone in extended ranges (to D) with clarity
  • Counting through flexible instrumentation and optional parts

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