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Music in the Air!: Concert Band Conductor Score

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Music in the Air! Cover Image

Music in the Air!: Concert Band Conductor Score

By Alfred Reed

Item: 36-M908101

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Description
This music was commissioned as the opening and closing theme for MBS Television in Japan, and recorded for this purpose by the Osaka Municipal Symphonic Band on February 19, 2001, under the composer's direction. Its first performance as a concert piece was by the Eastern Wind Symphony under the direction of Dr. William Silvester on April 9, 2002 in Camden, New Jersey; the same ensemble and conductor have recorded the work for Klavier Records, on compact disc K 11130. The first performance in Japan by the Senzoku Gakuen Symphonic Wind Orchestra on June 25, 2002, in Tokyo, under the composer's direction.

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Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106927-8
ISBN13: 978-1-58-106927-3
UPC: 660355178108
SKU: 36-M908101
Instrumentation: Concert Band

More about this title

About the Composer: Alfred Reed

Alfred Reed stands among the most performed composers in the wind band repertoire, with a catalog spanning over 250 works. His gift for memorable melody and clear orchestration made him a central figure in elevating concert band literature during the latter half of the twentieth century.

Reed's compositions range from accessible educational pieces to sophisticated concert works, earning him respect from both student ensembles and professional bands. His understanding of instrumental writing comes from decades of conducting and composing for groups at every level, which is why his music consistently balances musical substance with practical playability.

Why we love this

Reed crafted this piece with broadcast demands in mind, which means it grabs attention immediately and sustains interest without pretension. What's remarkable is how effectively it functions both as incidental music and as a complete concert work, giving you real programming flexibility.

What to expect

Bright, confident, and genuinely appealing. The music moves with purposeful energy while maintaining a melodic warmth that sticks with listeners long after the final chord.

Who it's for

Directors seeking a concert opener or closer that impresses audiences without demanding extended rehearsal time. This works equally well for intermediate bands ready for genuine artistic expression and advanced groups looking for a fresh alternative to the usual parade of overtures.

How to get the most out of it

  • Balance the opening statement across your winds so the primary melody emerges clearly while secondary lines remain supportive; this clarity carries the broadcast heritage of the work.
  • Watch for changes in orchestration that signal shifts in harmonic color; Reed often moves themes between different choirs, and these transitions need subtle dynamic shaping rather than obvious rebalancing.
  • Trust the inherent lyricism without over-romanticizing; the piece sings naturally when you maintain steady support from the rhythm section and let the melodic line breathe at its own pace.

How to use it

Open your concert with this; its broadcast origins mean it's designed to command attention immediately. You might also pair it with a contrasting serious work to demonstrate your band's range, or use it as a confident closing number when you want the audience leaving in a positive frame of mind.

Skills your students will build

  • Balancing primary and secondary melodic material across the wind choir
  • Executing clean harmonic transitions between instrumental sections
  • Sustaining musical momentum in straightforward diatonic writing

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